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CONTRACT WITH AN ANGEL

Greeley (Summer at the Lake, 1997, etc. etc.) returns with more High Blarney, this time with an inversion on the Faust legend in which an atheist sells his soul to an angel. While flying into Chicago’s O‘Hare airport, cynical media mogul Raymond Neenan finds the empty first-class seat beside him invaded by the brown-skinned Archangel Michael, the six-foot-six head of the heavenly armies, who’s flourishing a contract for him to sign. Neenan must sell his soul to Michael, he’s told, or go down with the plane. To sweeten the deal, the angel also gives him a brief but ecstatic taste of paradise. Neenan thinks he’s hallucinating and, with nothing to lose, signs. Foremost in the contract, he has to give up his womanizing, predatory business practices and sharply sharkish bent toward everything consumable. Gradually, though, Neenan becomes convinced that he didn—t imagine the event. In unmaking the mess he’s made of his life, the once fearsome Neenan turns cuddly with his office staff and son Vincent, romances his wife, Anna Maria (while an angelic choir that only he can hear sings joyously), accepts her advice about filming an eight-hour miniseries of Susan Howatch’s Starbridge, and decides to offer Loyola University, her alma mater, $5 million to fund four chairs in the humanities. He must also patch things up with his first wife and with the children by that marriage, who detest him. None of this provides much conflict, although Greeley clearly has a ball as the authorial angel setting miracles in motion. Amusingly, while sitting through a performance of Gounod’s Faust (whose chorus gets a blissful assist from real choirs of angels), Neenan discovers that—aside from Anna Maria—he’s spent his life seeking carbon copies of his punitive, mean-spirited, grudging mother. Will Raymond clear up his life’s mess before a death warning is fulfilled and he has to check out the light in the tunnel? Should be read with Palestrina Masses playing in the background.

Pub Date: June 1, 1998

ISBN: 0-312-86081-1

Page Count: 304

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1998

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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