Chilling fiction that serves to illuminate even darker facts—Pat Barker fans, take special note.
A stretch of Australian land and the ancient manse that sits upon it prove troublesome for generations of a haunted family.
The earth itself is a central character in this gothic novel from rising Aussie star McGahan (1988, 1997, etc.). In the lush Darling Downs part of Queensland, 500 square miles of prime farm and ranchland was once owned by the magisterial White family, which frittered it away in a series of unfortunate accidents and bad decisions recounted in periodic flashback chapters. All that remains of the grand White legacy is Kuran House, a massive, falling-down folly of a grand edifice now inhabited by one witchlike housekeeper and her charge, a doddering old man named John McIvor. His tangled and bitter relationship with the Whites emerges over several hundred precisely paced pages. New to Kuran House are McIvor’s unnamed sister, whose husband has just died in a fire, and her son, William. William serves as the entry point to a bloody and haunted backstory, as he wanders the house’s decrepit corridors, explores the ghostly lands and gets swept up in McIvor’s quixotic dream to beat a piece of legislation that could give all the land back to the Aborigines. Buried secrets wait to be discovered, and many past sins still need to be atoned for. Sickly, delusional William begins to see things and people that may or may not be there. McGahan knows how to lay out a spooky story with palpable characters and dramatic shifts of tone. He also makes good use of his substantive research in a fictional work that serves as a primer on how Aborigines were cleared from the land like so many pests.
Chilling fiction that serves to illuminate even darker facts—Pat Barker fans, take special note.Pub Date: Jan. 1, 2006
ISBN: 1-56947-417-6
Page Count: 400
Publisher: Soho
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2005
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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