An appalling—and often hilarious—account of terrible behavior in an infernally high-pressure industry.
Regal recalls weathering insults, tantrums, and conspiracies in the cutthroat TV news business in this stinging memoir and self-help work.
The author recaps four fraught decades working as a media producer, starting with his 1980s stint on The Morton Downey Jr. Show, where he endured the host’s belittling nicknames (“Weasel”) and rages, which also targeted on-air guests. (“Mort walked right over to the seated anti-smoking guest, puffing on his always-lit cigarette, turned his back to him, bent over from the waist, and screamed, ‘If you don’t like my butt, you can kiss my ass!’”) Regal developed successful legal news shows for Court TV while getting nothing but venomous threats (“one more script like this, I cancel the show”) from CEO Steve Brill. He even received nasty put-downs (“You can’t even work the fucking cue cards”) from the avowedly empathetic psychiatrist hosting The Dr. Keith Ablow Show. But the worst bullying was the quiet isolation Regal experienced at The Wall Street Journal, where bosses ignored him and canceled meetings as they gradually shoved him out, an ordeal that made him almost suicidal from anxiety. The author combines this chronicle of mistreatment with commentary from anti-bullying experts and advice on coping. (Don’t bother with human resources—“Do you really think the HR department will support you over the boss when the boss signs the checks?”—but keep up positive self-talk and support anti-bullying legislation). Regal vividly depicts the psychic turmoil that bullying engenders in gripping, evocative prose; about a meeting where no one talked to him, he writes, “I scribbled feverishly on my pad, just trying to occupy my mind….How did it come to this?…What have I done?…Why do these people hate me?” The book is also a brilliant portrait of the bizarre world of TV talk shows, where the seemingly spontaneous melodrama is meticulously scripted after careful recruitment and vetting. Anyone who’s had a bad job will find Regal’s saga fascinating.
An appalling—and often hilarious—account of terrible behavior in an infernally high-pressure industry.Pub Date: April 28, 2026
ISBN: 9798891389472
Page Count: 424
Publisher: Amplify Publishing
Review Posted Online: yesterday
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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