Next book

A STONE BOAT

Love and death make dramatic entrances in this elegiac first novel by nonfiction writer Solomon (The Ivory Tower: Soviet Artists in a Time of Glasnost, 1991) about a young concert pianist who plays for time while his mother is dying of cancer. First-person narrator Harry is under 30, gay, and always striving for perfection in his music, his sexual partners, and his aesthetic rhetoric, with which he tries heroically (and sometimes pretentiously) to wring beauty from the ordinary while visiting stylish locations in London, Paris, and Manhattan. He observes the textures of flowers, different foods, the surfaces of bodies. Harry also picks a fight with his bland lover Bernard and has three intense affairs, one with a longtime female friend, to escape his depression over his mother's terminal illness. Early in the novel, she blames her suffering on his homosexuality and tries to manipulate him into a more conventional life style: ``I know you think you're being honest or true to yourself or something, but what you have with Bernard can't be greater than that combination of love and children that you could have with Helen or someone.'' The mother, still in her 50s, does not want to die early, but she also doesn't want her last days to be horrific. When chemotherapy does not appear to have halted the cancer, she plans her date with death as carefully as if it were a wedding, attending a party the week before in a grand show of matriarchal dignity as she climbs a staircase unassisted. ``One step at a time, regal as the Queen of Sheba, my mother climbed that staircase. The long rope of pearls swung slightly as she walked, as though it were telling time,'' writes Solomon in one particularly poignant passage. An elegant and moving examination of a difficult subject.

Pub Date: Oct. 1, 1994

ISBN: 0-571-17240-7

Page Count: 242

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Close Quickview