If you were floored by Robin Williams's genie in Aladdin, wait till you sink your fangs into the latest, and unlikeliest, pop-cultural marriage: child-abuse specialist Vachss (Footsteps of the Hawk, p. 982, etc.) meets the Caped Crusader. And what a crusade the novelist has for the superhero. A chance meeting with Gotham caseworker Debra Kane opens his alter ego Bruce Wayne's eyes to the myriad ways child abuse, not poverty or social injustice, breeds crime. Faithful butler Alfred, judging the time to be right, passes on documents left behind by Batman's mother that show that she was no mere housewife, but a sociologist investigating the systematic exploitation of children (and assassinated along with her husband because of her discoveries). These revelations are enough to send the Dark Knight into a righteous fury against casual muggers and rapists, gangsters and crooked cops, and finally the ringleaders in the procurement racket. First, witnesses to his summary handling of criminals note a new anger emerging; then, Batman resolves to go to the heart of this hydra-headed scourge by Batjetting to the mythical Asian land of Udon Khai and fomenting a revolution against the child-buyers. On the one hand, Batman's vigilantism makes him a natural hero for Vachss, whose customary persona Burke is practically a Batguy himself. On the other hand, Batman's adventures hereas he disposes of each lower-level pimp, then moves up to the next leveldon't have any more substantive content than a ``Destroy All Exploiters'' video game would; impatient readers who skip the entire novel and go directly to journalist David Hechler's disturbing appended essay, ``Child Sex Tourism,'' won't have missed a thing. More successful as a media event, then, than as a work of narrative art, however demotic. But Vachss himself would probably agree that staging events like this one to grab headlines is precisely his point.
Pub Date: Nov. 7, 1995
ISBN: 0-446-51912-X
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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