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ONE TRAIN LATER

A MEMOIR

A pleasant journey through some of pop music’s more interesting times.

Engaging memoir by the guitarist for megaselling rock band The Police.

Summers’s account of his eventful career as a journeyman musician focuses squarely on his devotion to music and the process of mastering his instrument; those hoping for a lurid, behind-the-scenes tell-all will be disappointed. For the record, he paints Police front man Sting as self-involved and high-handed, drummer Stewart Copeland as motor-mouthed and overbearing—but he doesn’t dwell on these traits. Nor does he dwell on drugs consumed and groupies enjoyed, describing such diversions as mundane aspects of the itinerant musician’s life. More interesting is his life as a perennial cusp-of-fame British Invasion utility man in a career that included stints with the Animals; Zoot Money’s Big Roll Band; and Neil Sedaka. He rubbed shoulders with Clapton and Hendrix, toured relentlessly and practiced, practiced, practiced, finding himself at the end of it broke and giving guitar lessons to survive for an extended period in the 1970s. But then he met Sting and Copeland. The author analyzes incisively the unique sound of The Police, which benefited greatly from his past forays into jazz and classical guitar, bringing an unprecedented degree of musicianship to the era’s requisite “punk” sound. The most arresting passages here describe the group’s mammoth world tours: He sharply observes the cultural strangeness of Japan (where he runs afoul of the yakuza) and his experiences in Eastern Europe and the military dictatorships of Argentina and Chile—simultaneously terrifying and surreally amusing, as are his adventures as John Belushi’s drug buddy. Summers is refreshingly endearing, with a self-deprecating wit, brisk pacing and elegant turns of phrase.

A pleasant journey through some of pop music’s more interesting times.

Pub Date: Oct. 3, 2006

ISBN: 0-312-35914-4

Page Count: 368

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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