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LAND GIRLS

It's rural England during WW II and the air is heavy with cordite, sheep dung, and romance in this wonderfully wise, evocative, and moving seventh novel by British author Huth (Invitation to the Married Life, 1992, etc.). Prudence, Ag, and Stella arrive in Yorkshire in 1941 to work as ``land girls,'' young women trained by the government to replace the male farmhands who are off fighting for their country. These three, who've never met before, are assigned to the farm of John and Faith Lawrence, where they find themselves sharing an attic room and rising before daybreak to milk cows, muck out pigpens, and clean sheeps' rumps, among other tasks. As they become familiar with what farm life is really about, the girls also begin to learn some larger life lessons—from one another, from the example of their hardworking employees, and from Joe, the Lawrences' handsome only son who, unable to go off to fight because of his asthma, is home on the farm and engaged to Janet, a girl he plainly does not love. Huth has been compared, in the British press, to Jane Austen (no small compliment these days), and, indeed, she shares Austen's talent for setting up great romantic suspense and inventing lovably eccentric minor characters. But the war adds all kinds of unexpected twists to this story, making the course of true love follow a more circuitous route than even Austen could have plotted. Stella, Ag, and Prue bloom into distinctive, complex characters, and the question of their eventual happiness seems more pressing every day they spend on the farm. The answers, when they come, are both surprising and right. If the ending seems a bit of a letdown, with too many events and years compressed into too few paragraphs, it's only because we, like the land girls themselves, would have been content for those farm days to go on and on. Engaging, on all fronts.

Pub Date: June 1, 1996

ISBN: 0-312-14296-X

Page Count: 384

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1996

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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