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CHRISTMAS IN PARIS

A charming modern-day fairy-tale romance.

After a bride calls off her Christmas wedding days before the ceremony, she comforts herself by taking the planned honeymoon in Paris, then finds herself navigating romance with the help of a fortuneteller and the jilted groom in the suite next door.

When Philadelphia financial analyst Isabel Lawson realizes she and fiance Neil have different life goals, they cancel the wedding amicably, and Neil suggests she take the planned honeymoon trip to Paris. Staying in a suite at one of the nicest hotels in Paris over Christmas is a dreamy treat and becomes even more fun when she meets Alec, the would-be groom next door whose fiancee abandoned him. Alec is sweet and adorable, a great partner for exploring her favorite Parisian haunts and more, and when one day they run into a fortuneteller who says she’ll marry a French aristocrat and be happy all her days, she asks Alec to take her to an upscale ball where she meets a comte who seems perfect. Yet, as wonderful as her days in Paris are, they leave her plenty of time to reflect on her two past broken engagements, so when she starts to think maybe it’s Alec she’s supposed to be with, she’s suddenly extremely confused and uneasy about her ability to find the right man. She’s always been a planner and very clear and successful on every path in her life except this one, so when everything else the fortuneteller says comes true, she begins to believe she won’t be happy unless she marries her comte. Hughes bring her signature combination of haute couture and high-society romance to Paris, adding a touch of magic and allowing us to live vicariously through Isabel as she falls in love in the most glamorous city in the world—and buys labels most women can only dream about.

A charming modern-day fairy-tale romance.

Pub Date: Oct. 4, 2016

ISBN: 9781250105509

Page Count: 288

Publisher: St. Martin's Griffin

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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