A historical novel dramatizes the murder of a prominent Irish politician in late-19th-century Canada.
Clara Swift is born in Ireland, but in the late 1860s, she moves to Montreal to work as a servant for fellow Irish native Thomas D’Arcy McGee. McGee is a political agitator of sorts and proposes the consolidation of Canadian settlements into a unified country, a nation that could simultaneously house disenfranchised Irish and serve as an example to the British Crown of the Irish capacity for self-governance. But some Irish radicals—Fenian rebels—are so committed to revolution on their country’s soil that they invade Canada to draw more British troops there, strategically diminishing their number in Ireland. When McGee is murdered, any Irishman in Canada with the most gossamer connections to the Fenians is rounded up as a suspect. On the strength of Clara’s identification, this group includes Jimmy Whelan, who quickly becomes the prime suspect. But for a variety of reasons, Clara remains unconvinced of his involvement—he actually warned the family three months ago of an assassination attempt. Shortell (Money Has No Country, 1991, etc.) conjures a memorable heroine in Clara: Only 15 years old, she’s uncannily sharp and literarily astute but endearingly guileless. She becomes increasingly concerned that McGee’s murder had something to do with a manuscript he was preparing for publication, a politically provocative critique of Americans. Maj. Pierce Doyle, the lead investigator on the case, recruits Clara to pump Whelan’s wife, Bridie, for incriminating information and to help decode McGee’s private diaries. The author skillfully builds a suspenseful mystery, cautiously meting out just enough information to keep readers gripped by the plot but not so much that the conclusion becomes transparently obvious. In addition, her prose can be elegant: “In some way, this sealed display made it seem that Mr. McGee’s death was all for show. Even Christ’s body hadn’t been left hanging so long as a lesson to his people before he’d been decently interred.” But the novel’s strongest selling point is its artful amalgam of historical scholarship and fictional drama—Shortell brings her meticulous research to vivid life.
A thrilling and historically edifying period tale.Pub Date: March 22, 2018
ISBN: 978-1-5255-2090-7
Page Count: 336
Publisher: FriesenPress
Review Posted Online: May 18, 2018
Kirkus Reviews Issue: July 1, 2018
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)
Pub Date: April 1, 1999
ISBN: 0-671-02578-3
Page Count: 320
Publisher: Pocket
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 1999
Categories: GENERAL FICTION
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The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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