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CELTIC KNOT

A CLARA SWIFT TALE

A thrilling and historically edifying period tale.

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A historical novel dramatizes the murder of a prominent Irish politician in late-19th-century Canada.

Clara Swift is born in Ireland, but in the late 1860s, she moves to Montreal to work as a servant for fellow Irish native Thomas D’Arcy McGee. McGee is a political agitator of sorts and proposes the consolidation of Canadian settlements into a unified country, a nation that could simultaneously house disenfranchised Irish and serve as an example to the British Crown of the Irish capacity for self-governance. But some Irish radicals—Fenian rebels—are so committed to revolution on their country’s soil that they invade Canada to draw more British troops there, strategically diminishing their number in Ireland. When McGee is murdered, any Irishman in Canada with the most gossamer connections to the Fenians is rounded up as a suspect. On the strength of Clara’s identification, this group includes Jimmy Whelan, who quickly becomes the prime suspect. But for a variety of reasons, Clara remains unconvinced of his involvement—he actually warned the family three months ago of an assassination attempt. Shortell (Money Has No Country, 1991, etc.) conjures a memorable heroine in Clara: Only 15 years old, she’s uncannily sharp and literarily astute but endearingly guileless. She becomes increasingly concerned that McGee’s murder had something to do with a manuscript he was preparing for publication, a politically provocative critique of Americans. Maj. Pierce Doyle, the lead investigator on the case, recruits Clara to pump Whelan’s wife, Bridie, for incriminating information and to help decode McGee’s private diaries. The author skillfully builds a suspenseful mystery, cautiously meting out just enough information to keep readers gripped by the plot but not so much that the conclusion becomes transparently obvious. In addition, her prose can be elegant: “In some way, this sealed display made it seem that Mr. McGee’s death was all for show. Even Christ’s body hadn’t been left hanging so long as a lesson to his people before he’d been decently interred.” But the novel’s strongest selling point is its artful amalgam of historical scholarship and fictional drama—Shortell brings her meticulous research to vivid life.

A thrilling and historically edifying period tale.

Pub Date: March 22, 2018

ISBN: 978-1-5255-2090-7

Page Count: 336

Publisher: FriesenPress

Review Posted Online: May 18, 2018

Kirkus Reviews Issue: July 1, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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