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LITTLE CENTURY

Keesey writes lyrically and examines the ferocity of frontier life with an unromantic and penetrating gaze.

The title refers to a little town in the midst of the vastness of Oregon, where at the turn of the 20th century, sheepmen and cattlemen vie for grazing territory as well as for the love of 18-year-old Esther Chambers.

Recently orphaned, Esther travels from Chicago in search of Ferris “Pick” Pickett, a distant relative about 10 years older than she is. Pick is friendly but taciturn, and he takes her out to Half-a-Mind, a property that had recently been abandoned by a farmer. Through Pick, Esther finds out that if she can live in Half-a-Mind at least six months out of the year for five years, she can claim it as her own, so she begins to homestead. Esther quickly discovers that much of the conflict out West lies in the hatred between cattlemen and sheepmen, for they’re constantly fighting about who has the rights to free rangeland. At first the tension emerges as petty violence—windows broken by slingshots—but it soon escalates to a much more serious level with hooded cattlemen driving hundreds of sheep over a bluff to their deaths and a retaliatory action in which a prize bull is beheaded. Amidst this growing violence Esther finds herself attracted to Pick, cautious spokesperson for the cattlemen, and Ben Cruff, a sheepman who almost by definition is hostile to the cattle ranchers. Keesey introduces us to a large cast of Oregonians here, including Joe Peaslee, whose apparent suicide might have actually been murder; Violet Fowler, a postmistress whose snoopiness leads her to open any interesting letter that comes her way; and Mr. Elliot, of the Far West Navigation and Railway, who’s investigating the possibility of establishing a spur line to Century and thus ensuring its continued economic viability.

Keesey writes lyrically and examines the ferocity of frontier life with an unromantic and penetrating gaze.

Pub Date: June 12, 2012

ISBN: 978-0-374-19204-4

Page Count: 336

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2012

Kirkus Reviews Issue: June 1, 2012

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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