A refreshing, well-researched contribution to Black women’s history.
A welcome biography of three noted civil rights icons who were indelibly influenced by their mothers.
In her debut book, sociology doctoral candidate Tubbs, a Bill and Melinda Gates Cambridge Scholar, offers informative, admiring biographical portraits of Alberta King, Louise Little, and Berdis Baldwin, women who shaped the lives and work of their sons Martin Luther King Jr., Malcolm X, and James Baldwin. Although “almost entirely ignored throughout history…ignored in ways that are blatantly obvious when the fame of their sons is considered,” these women, Tubbs asserts, deserve attention because they represent the struggles faced by Black women from the early 1900s through the 1960s—and, attests the author, citing her own experience, even in the present. “I am tired of Black women being hidden,” she writes. “I am tired of us not being recognized, I am tired of being erased. In this book, I have tried my best to change this for three women in history whose spotlight is long overdue, because the erasure of them is an erasure of all of us.” Each woman believed in the importance of education for her children, and each advocated for civil rights: Alberta’s father was head pastor at Atlanta’s Ebenezer Baptist Church and a co-founder of the Atlanta chapter of the NAACP; college-educated Alberta married preacher Michael King, and together they inherited leadership of the church. Louise left her native Grenada for Montreal, where she joined her uncle as a Garveyite and married a fellow activist. Berdis, single when she gave birth to James, had joined the Great Migration, first living with relatives in Philadelphia and then moving to Harlem during the Renaissance, where she married James’ stepfather. Contextualizing the women in their tumultuous times, Tubbs examines racism, police brutality, and life under Jim Crow to establish “the direct connection” between the mothers and their sons’ “heroic work.” The men, writes the author, “carried their mothers with them in everything they did.”
A refreshing, well-researched contribution to Black women’s history.Pub Date: Feb. 2, 2021
ISBN: 978-1-250-75612-1
Page Count: 272
Publisher: Flatiron Books
Review Posted Online: Nov. 16, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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