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BELIEVE

An evocative, involving novel about how mystical powers can complicate one’s life.

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A supernaturally gifted woman comes to terms with her past in Darr’s debut novel.

Springen “Spring” O’Flaherty is ready to begin her sessions with therapist Dr. Jill Martin, in part because she’s been keeping an extraordinary secret from the man she loves. From her earliest childhood as a preacher’s daughter in the Appalachian Mountains, Spring has been aware that she possesses a wide array (or “smorgasbord,” as she calls it) of psychic powers, from precognition to divination. Most prominently, she has the ability to see the multicolored auras that surround people, and she can also predict their natures and fates. She once confided to her best friend, Tommy Herndon, that her prayers for God to help her make sense of her gifts have gone unanswered. For Spring, “avoidance had become a way of life” because she’d hidden her special nature from most people; she ruefully admits that “most of the time being different wasn’t any fun at all.” But she’s determined to work through her memories so that she can embrace the promise of the present with district attorney Jed Collinsworth, with whom she’s dreaming of spending the rest of her life—and the process centers on coming to terms with a devastating tragedy. Overall, Spring’s story is memorable and affecting. Darr smoothly and skillfully handles a series of well-executed flashbacks in which readers see Spring gradually come to understand how her powers work as well as the personal toll they take on her; for example, after a trauma, she recalls, “I’d turned into a zombie. I was a fossil like those found flash frozen in the Arctic.” The author’s depiction of the simplicity and beauties of life in rural Appalachia are semipoetical highlights of the novel: “the bright green tree canopy was highlighted by a froth of color, courtesy of the wildflowers,” Spring observes on the day she first brings Jed to meet her family. Darr also provides wonderfully believable dialogue to every major and minor character in the story.

An evocative, involving novel about how mystical powers can complicate one’s life.

Pub Date: Oct. 24, 2014

ISBN: 978-1-942209-02-7

Page Count: 368

Publisher: Bellastoria Press

Review Posted Online: Feb. 10, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE RUMOR

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

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