Elegantly readable and sardonically perceptive: literary fiction that doesn’t put on airs.
A tart social novel from veteran Bernays (Professor Romeo, 1989, etc.).
On the Wednesday after Labor Day of 2002, children’s-book illustrator Dannie Faber is gossiping with best friend Raymie, who runs a B&B in Provincetown, about the rude rich people overrunning Cape Cod. The one who jumped the line at a popular local restaurant by bribing the waiter turns out to be the same hotel gazillionaire who’s built a huge, vulgar trophy house down the beach from Dannie in Truro. It’s the one-year anniversary of September 11, an event that quietly haunts Dannie; she’s also slightly concerned about the slow asphyxiation of her marriage to MIT professor Tom Faber and about the arrival of daughter Beth, dumped by a live-in boyfriend. Dannie tries to be supportive, but she never thought much of egotistical Andy, and she wishes 29-year-old Beth would grow up and quit being so needy. Though we view the action through Dannie’s eyes, readers come to realize that this workaholic, emotionally skittish and often judgmental woman does not always accurately convey what’s going on. Bernays depicts with extra-dry humor the Faber marriage, which has long since exhausted its reasons for being, and Raymie’s surprise hookup with the crass trophy-house owner, Mitchell Brenner, who proves to be not (quite) as awful as he first seemed. Sharp-tongued Dannie might grow annoying as a narrator if she weren’t so smart and frequently so funny about social and sexual tensions on the Cape, in academia and in a middle-aged affair. New York publisher David is sexy, adoring and practically perfect—but Dannie manages to find a few things wrong with him anyway. By the end of the story, she’s pushed him into the same kind of part-time relationship she had with her now-ex-husband. It becomes clear that Dannie loves Truro and her solitary creative life at least as much as she does her family and friends.
Elegantly readable and sardonically perceptive: literary fiction that doesn’t put on airs.Pub Date: Aug. 1, 2005
ISBN: 0-7432-7055-X
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2005
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
