A richly conceived fantasy with a grand emotional payoff.

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SORROWFISH

1

From the The Call of the Lorica series

In Miles’ debut fantasy novel, an art student’s dreams bring her into contact with a wizard and his extraordinary realm.

Sara Moore studies sculpture at the Hite Institute for the Arts in Louisville, Kentucky. She’s having trouble finishing her final piece that will allow her to graduate and begin a rewarding career as an artist. Her troubled personal life isn’t helping matters; her twin sister, Marilla, has been in a coma following a car accident eight months ago, and her best friend, Peter, could be the love of her life, if only she’d commit to their relationship. Also, Sara’s been having vivid dreams about a strange gnome—and once, she woke with a splinter after dreaming of touching a wooden table. Meanwhile, on a world called Canard, Dane Whitley is a “dewin,” or music mage, who’s capable of harnessing the divine Song without going mad from the accompanying Dissonance. He crafts magical instruments that are forbidden by the conclave, the religious order that’s ruled Canard since the good Storm King sacrificed himself to save the people from the evil Wyrm. Later, when Dane sees an elusive “fae” spirit named Sara, she tells him, “Fire. Fire everywhere. Run.” He follows her command and barely escapes being burned alive by conclave acolytes. Can Dane and Sara somehow forge a bond and solve the problems that plague each other’s lives? Miles offers a dense emotional tapestry for fantasy fans who may be looking for more than swords and sorcery. The intensive worldbuilding involves gnomes who raise human children (known as “deemlings”), shape-changers known as “chymaera,” and a monumentally epic World Tree (“The Tree was enormous, bone white, its top shrouded. It had split perfectly down the center....Clouds served as the Tree’s canopy”). However, although Canard’s narrative ambles forward with wild invention, Sara’s more grounded narrative sings more strongly. The complex family dynamics surrounding Marilla’s situation, for example, could fuel its own novel. Miles’ final revelations promise further layering of reality and fantasy in a planned sequel.

A richly conceived fantasy with a grand emotional payoff.

Pub Date: Aug. 30, 2019

ISBN: 978-1-07-222658-1

Page Count: 363

Publisher: CreateSpace

Review Posted Online: Oct. 9, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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Cheerfully engaging.

WHAT ALICE FORGOT

From Australian Moriarty (The Last Anniversary, 2006, etc.), domestic escapism about a woman whose temporary amnesia makes her re-examine what really matters to her.

Alice wakes from what she thinks is a dream, assuming she is a recently married 29-year-old expecting her first child. Actually she is 39, the mother of three and in the middle of an acrimonious custody battle with her soon-to-be ex-husband Nick. She’s fallen off her exercise bike, and the resulting bump on her head has not only erased her memory of the last 10 years but has also taken her psychologically back to a younger, more easygoing self at odds with the woman she gathers she has become. While Alice-at-29 is loving and playful if lacking ambition or self-confidence, Alice-at-39 is a highly efficient if too tightly wound supermom. She is also thin and rich since Nick now heads the company where she remembers him struggling in an entry-level position. Alice-at-29 cannot conceive that she and Nick would no longer be rapturously in love or that she and her adored older sister Elisabeth could be estranged, and she is shocked that her shy mother has married Nick’s bumptious father and taken up salsa dancing. She neither remembers nor recognizes her three children, each given a distinct if slightly too cute personality. Nor does she know what to make of the perfectly nice boyfriend Alice-at-39 has acquired. As memory gradually returns, Alice-at-29 initially misinterprets the scattered images and flashes of emotion, especially those concerning Gina, a woman who evidently caused the rift with Nick. Alice-at-29 assumes Gina was Nick’s mistress, only to discover that Gina was her best friend. Gina died in a freak car accident and in her honor, Alice-at-39 has organized mothers from the kids’ school to bake the largest lemon meringue pie on record. But Alice-at-29 senses that Gina may not have been a completely positive influence. Moriarty handles the two Alice consciousnesses with finesse and also delves into infertility issues through Elizabeth’s diary.

Cheerfully engaging.

Pub Date: June 2, 2011

ISBN: 978-0-399-15718-9

Page Count: 432

Publisher: Amy Einhorn/Putnam

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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