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THE WITCHING HOUR

First behemoth installment (800+ pp.) in a new occult romance by Rice—now moving back into the bougainvillea and the New Orleans Garden District for her steamy new world of southern witchcraft. It's a couple of hundred pages (or more) before Rice hooks the reader and gets her major characters together; the story circles about the Mayfair family (bulking out the book are a few dozen family vignettes) and the generations of Mayfair witches who have accumulated one of the world's great fortunes while awaiting "the thirteenth"—the thirteenth witch in their succession, who will be the doorway by which a supernormal entity enters the human world and takes flesh. Dr. Rowan Mayfair—a San Francisco brain surgeon gifted with second sight, the power to heal (she foretells which cases will live before she lifts her knife), and the power to kill with her mind—was taken at birth from her Mayfair witch mother and raised by an aunt in San Francisco, and never knows until her mother dies that she is to inherit $7.5 billion. Meanwhile, alone and stormbound in her yacht, Rowan rescues a floating body from the sea, a wealthy local architect dead for an hour and being instructed by Mayfair figures in the beyond, and brings him back to life. Michael Curry now finds himself "cursed" with the power of psychometry (extrasensory fingertips) and has to wear gloves to stop the inflow of images. These two are being watched by—and then taken into the confidence of—Aaron Lightnet, a member of the Talamasca, a secret organization that for six centuries has investigated the paranormal. He warns Rowan and Michael against the Mayfair witches. An entity that has yet to achieve flesh has been passing itself through the eldest Mayfair women since the first Mayfair witch was burned at the stake in Holland. Now Rowan is pregnant by Michael, and the entity wants to become her fetus and flesh at last. The entity is by far the liveliest invention in the novel and the reader is left cliffhanging as this rather benign energy-being—fully (and erotically) empowered—is seen running off to Switzerland with Rowan. A writing mishmash, but a strong story stamps itself onto the brain.

Pub Date: Nov. 14, 1990

ISBN: 0345384466

Page Count: 1049

Publisher: Knopf

Review Posted Online: April 9, 2012

Kirkus Reviews Issue: Oct. 15, 1990

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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