Yet another southern gothic twister from Siddons—though this time the author edges into the emotionally honest territory of, say, a Gail Godwin, right up until the very end, when she slams the melodramatic gas pedal to the floor. But things start out reasonably and interestingly enough, with middle-aged Kate Lee, a recent cancer patient who feels sure the little cancer ``Pac-Men'' are gobbling her again. Her husband, Alan, forces her to accept an invitation from an old sorority sister, Ginger Fowler, who stole Kate's true love, architecture student Paul Sibley, from her 28 years ago. Also to be present at the reunion on the North Carolina coast are Cecie Hart, Kate's once-closest friend (from whom she hasn't heard a word since graduation), and Georgina—a.k.a. Fig—Newton, a weird little cookie who had a hopeless crush on Kate back at Randolph University in Alabama. Kate plans to commit suicide right after the visit, but once the friends see each other again, things get complicated. She and Cecie bond once more; Ginger's hit the bottle, realizing that Paul married her only for her dough; and Fig's become a bestselling romance writer. To make matters worse, Paul arrives, begging Kate to come back to him. And she almost does, until he shows his true skunkish stripes—which would leave Kate resolved to live and return to Alan, were it not for Fig, who's decided to get her revenge for the way she disdained her all through college.... Siddons fans will be enthralled; indeed, this is a much more emotionally gripping novel than her last, King's Oak. But it won't woo readers who want to see the characters they've been following settle their problems without wild effects and plot tricks.
Pub Date: Aug. 1, 1991
ISBN: 0-06-016249-X
Page Count: 416
Publisher: HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: June 1, 1991
Categories: GENERAL FICTION
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The years pass by at a fast and steamy clip in Blume’s latest adult novel (Wifey, not reviewed; Smart Women, 1984) as two friends find loyalties and affections tested as they grow into young women. In sixth grade, when Victoria Weaver is asked by new girl Caitlin Somers to spend the summer with her on Martha’s Vineyard, her life changes forever. Victoria, or more commonly Vix, lives in a small house; her brother has muscular dystrophy; her mother is unhappy, and money is scarce. Caitlin, on the other hand, lives part of the year with her wealthy mother Phoebe, who’s just moved to Albuquerque, and summers with her father Lamb, equally affluent, on the Vineyard. The story of how this casual invitation turns the two girls into what they call "Summer sisters" is prefaced with a prologue in which Vix is asked by Caitlin to be her matron of honor. The years in between are related in brief segments by numerous characters, but mostly by Vix. Caitlin, determined never to be ordinary, is always testing the limits, and in adolescence falls hard for Von, an older construction worker, while Vix falls for his friend Bru. Blume knows the way kids and teens speak, but her two female leads are less credible as they reach adulthood. After high school, Caitlin travels the world and can’t understand why Vix, by now at Harvard on a scholarship and determined to have a better life than her mother has had, won’t drop out and join her. Though the wedding briefly revives Vix’s old feelings for Bru, whom Caitlin is marrying, Vix is soon in love with Gus, another old summer friend, and a more compatible match. But Caitlin, whose own demons have been hinted at, will not be so lucky. The dark and light sides of friendship breathlessly explored in a novel best saved for summer beachside reading.
Pub Date: May 8, 1998
ISBN: 0-385-32405-7
Page Count: 336
Publisher: Delacorte
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 15, 1998
Categories: GENERAL FICTION
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The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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