by Anne Rothman-Hicks Anne Rothman-Hicks ‧ RELEASE DATE: June 1, 2016
An enjoyable romp involving a shady attorney and the mob that should make readers look forward to the next Jane Larson caper.
A sleuthing lawyer returns to the streets of New York in this mystery of drugs, murder, and financial skullduggery, the sequel to Praise Her, Praise Diana (2014).
A former pro bono attorney who once helped apprehend a serial killer, Jane Larson is now a rising star in corporate litigation at Adams & Ridge, a prominent New York City law firm. She’s still smarting from the abrupt departure of her boyfriend, David Bialo. The intense, time-consuming job is to blame, and she entertains second thoughts about her career. A lull in her workload and a legal assistant’s plea cause Jane to take over a case of unpaid alimony and child support after the plaintiff’s lawyer dies. Gail Hollings, Jane’s new client, is anything but sympathetic, but Gail’s former husband, Larry Hawkins, is worse. A small-time attorney who’s had his law license suspended, Larry may also be a drug dealer. After he’s found dead, a clear-cut professional hit, Jane discovers that Larry had stolen serious money from the mob. But where is it? Most disturbing is that several of Jane’s acquaintances, including David and her best friend, Lee, also knew Larry and maybe were his customers. Finding Larry’s client files becomes a race among Jane, the police, and the killer. Luckily she meets another lawyer, Bryan, who becomes a source of protection, and more. In this second Larson outing, the husband-wife team of Rothman-Hicks and Hicks (Kate and the Kid, 2016, etc.) has again produced a fast-paced, engaging story. The first-person narrative delivers both caustic wit and serious reflection. Jane is complex, nuanced, and utterly believable as a conflicted professional debating her life’s choices (“Yes, I have been known to throw things and come out with witty but rude remarks after a few too many drinks. However, I have never made myself a fool for love, and I didn’t intend to start now”). The writing is generally so smooth and taut that the occasional bumps—hackneyed language and unnecessary foreshadowing—are easily forgiven. The plot takes on perhaps excessive speed at the end; the riveting climactic scene involves a lot of characters appearing rather suddenly and a bit too conveniently. And, to tie things up, the financial machinations could have used more details and clarity as well. Yet, overall, this is a satisfying read.
An enjoyable romp involving a shady attorney and the mob that should make readers look forward to the next Jane Larson caper.Pub Date: June 1, 2016
ISBN: 978-1-68046-252-4
Page Count: 218
Publisher: Melange Books
Review Posted Online: July 30, 2016
Review Program: Kirkus Indie
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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