Flattered, feared, idealized during her lifetime, romanticized ever since, the intensely private Elizabeth I left few accurate portraits for future painters or biographers. Somerset (Ladies in Waiting, 1984) wisely focuses on the queen's complex political life, documenting, largely from primary sources, the religious conflicts, wars, explorations, conspiracies, and rough justice that marked her reign of 45 years. The second daughter of Henry VIII (her mother, the second of six wives, was executed for adultery), Elizabeth came to the throne after the displacement of all her stepmothers and the death of her brother Edward and her sister ``Bloody'' Mary. Although she was excommunicated, she believed she was ``God's choice''—and with that confidence created a national church, revised coinage, sponsored exploration (Drake's circumnavigation of the globe), waged war against Spain, nearly subjugated the ``ungovernable'' Ireland, and strengthened the power of the throne. Pleasure-loving Elizabeth enjoyed dancing, bear-baiting, hunting, clothes (which became more bizarre as she aged), gardens, and ``progresses,'' leading the court on visits to noble houses—partly because the hygiene of her courtiers was so poor that an ``intolerable stench'' soon forced them to move on. She loved gifts, adulation, and the attention of young men, although she married none of them, using their admiration and pursuit as a source of power. Somerset claims that remaining a virgin was part of the queen's ``high calling.'' Meanwhile, her indecisiveness, irascible temper, and legitimate fear of being assassinated led to her imprisoning her cousin Mary for 19 years before, reluctantly, having her executed—although at other times she was capable of impulsive brutality, e.g., publicly cutting off the hand of a printer for criticizing one of her choices of a mate. Despite a few clichÇs (the ``air'' was ``thick with intrigue'') and an unnecessary defensiveness about Elizabeth's virginity: a clear, moving, informed narrative. (Sixteen pages of b&w photographs—not seen.)
Pub Date: Nov. 14, 1991
ISBN: 0-394-54435-8
Page Count: 652
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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