Delicious British political history with an unsettlingly assertive Victoria.
A well-trod period, with its usual cast of characters, gets trod again, but few readers will object.
Historian Somerset, author of The Life and Times of King William IV, writes that Victoria (1819-1901), after an unhappy if comfortable childhood, became queen at age 18 in 1837 and was not shy about taking up her role. Despite offering few surprises for the educated reader, Somerset delivers an entirely entertaining combination of biography and political history of Victorian Britain. Nineteenth-century British monarchs were not figureheads. Their word was no longer law, but tradition demanded that they be kept informed and consulted. Victoria was not shy about expressing opinions, although she did not always get her way. For readers who find the queen’s private life less interesting than the 63 years of her reign, Somerset obliges by emphasizing her role as the symbol of empire who exerted genuine, often unconstitutional power. As one official complained, Victoria “had absurdly high notions of her prerogative, and the amount of control which she ought to exercise over public business.” Although prime ministers are powerful (unlike American presidents, they lead the government’s legislative and executive branches), readers may be startled to learn how much they valued the queen’s good opinion and suffered in its absence. Her first prime minister, Lord Melbourne, had perhaps the easiest time in accepting Victoria’s intense postadolescent worship as her reign began. She disliked many (Peel, Palmerston, Disraeli) as they entered parliament and rose to prominence but changed her mind when as prime ministers they were forced to deal with her and so turned on the charm. This did not apply to William Ewart Gladstone, for whom Victoria’s dislike in the 1860s turned to a legendary loathing not noticeably diminished after his 1894 retirement.
Delicious British political history with an unsettlingly assertive Victoria.Pub Date: Nov. 5, 2024
ISBN: 9781101875575
Page Count: 640
Publisher: Knopf
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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