A dozen poems from the inimitable Dutch writer magnificently translated and illustrated.
Although she was the winner of the Hans Christian Andersen Prize in 1988, Schmidt’s work, while widely translated elsewhere, is largely little known to English speakers. But through the award-winning talents of Australian translator Colmer and Dutch illustrator Posthuma, this volume—first published in the Netherlands in 2011, 16 years after Schmidt’s death, and for which Posthuma nabbed his second Gouden Penseel prize for best illustrated children’s book—should change all that. Schmidt’s zany characters burst to life in Colmer’s florid translation. Between the ravishingly well-crafted verse, with its tight meter and lithe rhyme, and Posthuma’s stark, richly layered mixed-media illustrations, readers can spend hours savoring each page. Schmidt’s sympathies for the daring and slightly misbehaved shine through in these wry, whimsical sketches. The fairy-tale writer draws from his pond of ink; furniture with legs steps out of the house for a walk; the intolerant Isabella Caramella feeds her hungry pet crocodile, Crabbit; and so on. Seasoned bath avoiders and their kin will thrill at “Belinda Hated Getting Clean…”: From her ink-splotched aura, Medusa-like hair and creepy talons to full-blown leafiness, Posthuma delectably marks Belinda’s transformation from fauna to flora.
Heartwarming creative genius abounds here, offering visual and aural pleasures aplenty: not to be missed. (Picture book/poetry. 6-14)Pub Date: March 7, 2014
ISBN: 978-0-8028-5433-9
Page Count: 34
Publisher: Eerdmans
Review Posted Online: Jan. 29, 2014
Kirkus Reviews Issue: Feb. 15, 2014
Categories: CHILDREN'S RELIGIOUS FICTION
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The comical longings of little girls who want to be big girls—exercising to the chant of "We must—we must—increase our bust!"—and the wistful longing of Margaret, who talks comfortably to God, for a religion, come together as her anxiety to be normal, which is natural enough in sixth grade.
And if that's what we want to tell kids, this is a fresh, unclinical case in point: Mrs. Blume (Iggie's House, 1969) has an easy way with words and some choice ones when the occasion arises. But there's danger in the preoccupation with the physical signs of puberty—with growing into a Playboy centerfold, the goal here, though the one girl in the class who's on her way rues it; and with menstruating sooner rather than later —calming Margaret, her mother says she was a late one, but the happy ending is the first drop of blood: the effect is to confirm common anxieties instead of allaying them. (And countertrends notwithstanding, much is made of that first bra, that first dab of lipstick.) More promising is Margaret's pursuit of religion: to decide for herself (earlier than her 'liberal' parents intended), she goes to temple with a grandmother, to church with a friend; but neither makes any sense to her—"Twelve is very late to learn." Fortunately, after a disillusioning sectarian dispute, she resumes talking to God…to thank him for that telltale sign of womanhood.
Which raises the last question: of a satirical stance in lieu of a perspective.Pub Date: Oct. 1, 1970
ISBN: 978-1-4814-1397-8
Page Count: 157
Publisher: Bradbury
Review Posted Online: Oct. 15, 2011
Kirkus Reviews Issue: Oct. 1, 1970
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S RELIGIOUS FICTION
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In sixth grade, Izzy Mancini’s cozy, loving world falls apart.
She and her family have moved out of the cottage she grew up in. Her mother has spent the summer on Block Island instead of at home with Izzy. Her father has recently returned from military service in Afghanistan partially paralyzed and traumatized. The only people she can count on are Zelda and Piper, her best friends since kindergarten—that is, until the Haidary family moves into the upstairs apartment. At first, Izzy resents the new guests from Afghanistan even though she knows she should be grateful that Dr. Haidary saved her father’s life. But despite her initial resistance (which manifests at times as racism), as Izzy gets to know Sitara, the Haidarys’ daughter, she starts to question whether Zelda and Piper really are her friends for forever—and whether she has the courage to stand up for Sitara against the people she loves. Ferruolo weaves a rich setting, fully immersing readers in the largely white, coastal town of Seabury, Rhode Island. Disappointingly, the story resolves when Izzy convinces her classmates to accept Sitara by revealing the Haidarys’ past as American allies, a position that put them in so much danger that they had to leave home. The idea that Sitara should be embraced only because her family supported America, rather than simply because she is a human being, significantly undermines the purported message of tolerance for all.
A beautifully rendered setting enfolds a disappointing plot. (Fiction. 10-12)Pub Date: Feb. 4, 2020
ISBN: 978-0-374-30909-1
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY | CHILDREN'S RELIGIOUS FICTION
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