THE INTERLOPER

One man’s quest to avenge a relative’s murder becomes an obsession in this lame debut novel.

Narrator Owen Patterson, a software-manual writer in Los Angeles, meets Patricia Stocking on the Lake Tahoe ski slopes; after a whirlwind romance, they marry. But their honeymoon is interrupted by a tragedy. Patty’s younger brother Calvin Junior (CJ) has been murdered. Her parents (aggressively masculine Calvin Senior, daffy Minerva) are devastated; Patty wears black year-round and spends her time watching old videos of CJ. The killer, Henry Joseph Raven, though not admitting guilt, gets a sentence of 20 years. Owen decides to ease his wife’s misery by punishing Raven himself. He plans to entrap Raven emotionally through letters supposedly written by a lonely, available female; once Raven is hooked, the woman will end the relationship, Raven will be crushed and Patty will find closure; until then, Owen will keep his “mission” secret. It’s as far-fetched as it sounds. For starters, Owen is a wimp, incapable of a bold ruse; it’s Patty who calls the shots. Secondly, he has reason to believe Raven already has a woman of his own. Nonetheless, he goes ahead, inventing a woman, Lily, who with the help of computer-generated photos arouses Raven’s interest. He even dons Patty’s panties to feel like a woman, but a would-be humorous scene, when he’s caught wearing the panties in a restroom, falls flat. Their correspondence and its ramifications take up much of the novel. We also learn more about the crime (a botched carjacking) and CJ (a bratty college kid, quite unsympathetic). As Patty heals, discarding black and boxing the videos, Owen deteriorates, getting a guilty thrill out of writing to a killer, and even identifying with Raven in a sexual fantasy he has created. When Patty discovers the letters, she leaves, and Owen becomes further isolated from reality. The novel ends with a series of improbable surprises that land Owen in the slammer.

Both creepy and dull.

Pub Date: May 22, 2007

ISBN: 1-59051-263-4

Page Count: 276

Publisher: Handsel/Other Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2007

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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