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THE CASE OF THE MARRIED WOMAN

CAROLINE NORTON AND HER FIGHT FOR WOMEN'S JUSTICE

An intelligently illuminating biography and cultural history.

An eminent British historical biographer tells the story of how a mistreated wife and writer helped bring about reform to laws governing married women’s personal and economic rights.

In 19th-century Britain, when women like famed writer Caroline Norton (1808-1877) married, they automatically lost the rights to all their assets—including those they earned—as well as the legal rights to future children. Men owned everything and everyone, both literally and figuratively. Norton came to know these hardships intimately over her long, colorful life. The granddaughter of celebrated playwright Richard Brinsley Sheridan, Caroline quickly earned a reputation for both her beauty and her wit. At 19, still in mourning over the death of her first love, she married George Norton, who became her lifelong nemesis. His cruelty manifested early on in the marriage, and he “took to kicking his wife, pushing and shoving her, when she displeased him in some way. These attacks would be accompanied by an admonishment generally referring to her lack of respect for her husband.” Rather than let herself become a victim, Caroline flourished in her other pursuits as the hostess of a salon that included such luminaries as Lord Melbourne, the young Queen Victoria’s political mentor. When Caroline finally left her husband in 1836, he charged her with adultery and took their children with him. Though she was in a precarious financial position, Caroline used her political connections, influence, and pen to champion the Infant Custody Act of 1839, which granted women custody of their children up to age 7. Over the next two decades, Caroline continued the fight for legal rights for women, engaging in battles for the right to divorce and laying the groundwork for legislation to protect women’s property rights. This engagingly written, rigorously researched book will appeal to both feminist historians and readers who enjoy well-crafted portraits of historical figures who deserve more attention.

An intelligently illuminating biography and cultural history.

Pub Date: May 3, 2022

ISBN: 978-1-63936-157-1

Page Count: 304

Publisher: Pegasus

Review Posted Online: Feb. 1, 2022

Kirkus Reviews Issue: March 1, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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