Of necessity somewhat fragmentary. Still, another engagingly original work from one of Europe’s most interesting writers.
The impermanence and the frustrations of romantic love are evoked with sly wit and operatic brio in the versatile Italian author’s newly translated 2001 confection.
It’s an epistolary novel, whose major contents are 17 titled letters addressed to an unnamed woman (presumably the same one, possibly a generic ideal beloved), each expressing some variation of the plaintive declaration made by writer #17: “I’m waiting for you, even though we don’t wait for those who cannot return, because . . . we would have to be who we were before, and that is impossible.” Thus things that didn’t happen (a trip not made to Samarkand in “Books Never Written, Journeys Never Made”; an idyllic island vacation, for which she never showed up, in “A Ticket in the Middle of the Sea”) are as vivid and wrenching as things that seemingly did (a former medical student’s memories of his classmate, now a prominent hematologist, in “The Circulation of the Blood”; a theater impresario’s wistful recall of the perfect Norma featured in his production of Bellini’s beloved opera, in “Casta Diva”). The stories are set all over Europe, North Africa and beyond, as disappointed or guilty loves lament the geographical and temperamental distances that separate them from this protean, mischievously elusive Eternal Feminine figure. The best of the stories skillfully blend literary or artistic influences with painstakingly delineated emotions: notably, a summer spent in Provence without the lover whose absence is mocked by the lyrical idealism of the Provencal poets (“Forbidden Games”); and a muted confession from a musician who, having underestimated his lover’s commitment to humanitarian service, abandoned her for another life in Salonika (“What’s the Use of a Harp with Only One String?”). Finally, in the title letter, she addresses these “Dear Sirs,” “cutting the threads” which, they hopefully imagine, still binds her to each of them.
Of necessity somewhat fragmentary. Still, another engagingly original work from one of Europe’s most interesting writers.Pub Date: May 29, 2006
ISBN: 0-8112-1546-6
Page Count: 192
Publisher: New Directions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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