by Ariana Neumann ‧ RELEASE DATE: Feb. 4, 2020
A multilayered memoir written from the unusual perspective of a Holocaust survivor’s daughter who grew up in Latin America.
A London-based former foreign correspondent for Venezuela’s Daily Journal uncovers the true story of her Jewish father’s double life during World War II.
When he learned that he was scheduled to be deported from Nazi-occupied Prague to a concentration camp, Hans Neumann took a brazen step: He hid in plain sight, assuming a false identity and going to work as a chemist for a supplier of the German war machine in Berlin. That daring feat alone might make his story unique, but there is much more to it. After the war—during which his parents and 23 other relatives were murdered by the Nazis—Neumann settled in Caracas, and he and his brother founded a paint company that became an international conglomerate. He and his glamorous second wife attained an enviable position in Venezuela: rich, cultured, well respected, and socially prominent. Neumann hid his Jewish roots, but the author, the couple’s only daughter, found an early clue to his erstwhile double identity when she stumbled as a girl on the fake ID card that had enabled him to work in Germany. Even then, she had no idea he was Jewish—“I was absolutely oblivious as a child”—and remained largely in the dark until her father died and left her a box of papers that held a memoir of his bold escape to Berlin. In this elegantly structured debut, the author reconstructs with considerable literary finesse the life of her father, who owned 297 pocket watches—a unifying motif and organizing metaphor that readers may see as his metaphorical attempt to replace time stolen by Hitler. She also offers vivid images of Terezín (renamed Theresienstadt by the Nazis), where her grandparents were interned before they died in Auschwitz. Because Terezín was nominally a transit and labor camp rather than a death camp, prisoners could send and receive letters and packages, and the author includes poignant excerpts of some of the letters.
A multilayered memoir written from the unusual perspective of a Holocaust survivor’s daughter who grew up in Latin America.Pub Date: Feb. 4, 2020
ISBN: 978-1-982106-37-9
Page Count: 336
Publisher: Scribner
Review Posted Online: Dec. 14, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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