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WHEN TIME STOPPED

A MEMOIR OF MY FATHER'S WAR AND WHAT REMAINS

A multilayered memoir written from the unusual perspective of a Holocaust survivor’s daughter who grew up in Latin America.

A London-based former foreign correspondent for Venezuela’s Daily Journal uncovers the true story of her Jewish father’s double life during World War II.

When he learned that he was scheduled to be deported from Nazi-occupied Prague to a concentration camp, Hans Neumann took a brazen step: He hid in plain sight, assuming a false identity and going to work as a chemist for a supplier of the German war machine in Berlin. That daring feat alone might make his story unique, but there is much more to it. After the war—during which his parents and 23 other relatives were murdered by the Nazis—Neumann settled in Caracas, and he and his brother founded a paint company that became an international conglomerate. He and his glamorous second wife attained an enviable position in Venezuela: rich, cultured, well respected, and socially prominent. Neumann hid his Jewish roots, but the author, the couple’s only daughter, found an early clue to his erstwhile double identity when she stumbled as a girl on the fake ID card that had enabled him to work in Germany. Even then, she had no idea he was Jewish—“I was absolutely oblivious as a child”—and remained largely in the dark until her father died and left her a box of papers that held a memoir of his bold escape to Berlin. In this elegantly structured debut, the author reconstructs with considerable literary finesse the life of her father, who owned 297 pocket watches—a unifying motif and organizing metaphor that readers may see as his metaphorical attempt to replace time stolen by Hitler. She also offers vivid images of Terezín (renamed Theresienstadt by the Nazis), where her grandparents were interned before they died in Auschwitz. Because Terezín was nominally a transit and labor camp rather than a death camp, prisoners could send and receive letters and packages, and the author includes poignant excerpts of some of the letters.

A multilayered memoir written from the unusual perspective of a Holocaust survivor’s daughter who grew up in Latin America.

Pub Date: Feb. 4, 2020

ISBN: 978-1-982106-37-9

Page Count: 336

Publisher: Scribner

Review Posted Online: Dec. 14, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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