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LIKEWISE

THE HIGH SCHOOL COMIC CHRONICLES OF ARIEL SCHRAG

A big leap of artistic ambition and self-discovery; Schrag saved the best for last.

Third and final volume of the High School Comic Chronicles (Potential, 2008, etc.).

The artist’s senior year is full of profound changes, and it’s no accident that the strip invokes Ulysses, Infinite Jest and The Brothers Karamazov. This installment has an epic scope and scale as it deals with everything transpiring in Schrag’s life, mind and art while she prepares for the transition from high school to college. The complications inherent in this rite of passage are compounded by Schrag’s unrequited—or less requited than she would like—love for Sally. Now a college student, Sally seems more hetero than bi, while Schrag alternately questions and embraces her own homosexuality. The breakup of her parents’ marriage causes strained feelings toward both of them (not helped when Schrag’s mother tries to bond with her over marijuana). She’s excited when she’s accepted at Barnard, but it also adds to her tension; she’s having a hard enough time deciding who she is, and now she will have a new stage for self-invention. Schrag’s art is strikingly transformed as well. The lettering veers from print to scrawl, and panels change from white to dark to gray, reflecting the emotional turmoil of a cartoonist who finds herself “thinking in double frame,” simultaneously engaging with her life and the comic narrative it inspires. There’s also a meta-comic dimension here, as the artist confesses to “all the lies” in her previous volumes and confuses dreams and fantasies (many of them masturbatory) with reality. Toward the end, some of her experiences become so fragmentary that chapters are only two panels long.

A big leap of artistic ambition and self-discovery; Schrag saved the best for last.

Pub Date: April 1, 2009

ISBN: 978-1-4165-5237-6

Page Count: 408

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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