by Art Shamsky & Erik Sherman ‧ RELEASE DATE: March 19, 2019
An enjoyable tale of a storybook season.
A fond remembrance of a legendary baseball team and the teammates who kept in touch throughout the ensuing decades.
On Oct. 16, 1969, the New York Mets defeated the heavily favored Baltimore Orioles to win the World Series. Playing in right field for those Mets was Shamsky (The Magnificent Seasons: How the Jets, Mets, and Knicks Made Sports History and Uplifted a City and the Country, 2016), who—along with sportswriter Sherman (Kings of Queens: Life Beyond Baseball with the ’86 Mets, 2016, etc.)—offers a narrative of that season and later memories anchored by the teammates’ 2016 trip to visit ailing pitching ace Tom Seaver. On paper, the 1969 Mets were average. Outfielder Cleon Jones finished third in the National League in batting average, yet no one on the team hit more than 26 home runs or drove in more than 76 runs. The team succeeded because of two main factors: the guiding hand of their manager, Gil Hodges (“Sixty-nine would never have happened if not for Gil Hodges,” says Jones), and the fact that these Mets, in the words of first baseman and World Series MVP Donn Clendenon, “epitomized the word team.” Thus Shamsky, who hit .300 that season, split time in right field with Ron Swoboda, who made a key catch in Game 4 of the World Series. Neither Clendenon nor Swoboda had played a single game in the National League Championship Series. The narrative of the season itself, which takes up two-thirds of the book, is informative and entertaining, and Shamsky effectively places the team’s magical year within the social and political contexts of 1969, including the moon landing, the Vietnam War (shortstop Bud Harrelson missed time to fulfill his military obligation), and the now-all-but-forgotten rioting in York, Pennsylvania. Moreover, the author persuasively argues that the team helped unify New Yorkers during a turbulent time. However, the reunion itself is somewhat anticlimactic, and Shamsky probably overstates his case that the ’69 Mets inspired the nation as a whole.
An enjoyable tale of a storybook season.Pub Date: March 19, 2019
ISBN: 978-1-5011-7651-7
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by Alice Sebold ‧ RELEASE DATE: Aug. 1, 1999
Told with mettle and intelligence, Sebold’s story of fierce determination to wrest back her life from her rapist will...
A stunningly crafted and unsparing account of the author’s rape as a college freshman and what it took to win her case in court.
In 1981, Sebold was brutally raped on her college campus, at Syracuse University. Sebold, a New York Times Magazinecontributor, now in her 30s, reconstructs the rape and the year following in which her assailant was brought to trial and found guilty. When, months after the rape, she confided in her fiction professor, Tobias Wolff, he advised: “Try, if you can, to remember everything.” Sebold heeded his words, and the result is a memoir that reads like detective fiction, replete with police jargon, economical characterization, and film-like scene construction. Part of Sebold’s ironic luck, besides the fact that she wasn’t killed, was that she was a virgin prior to the rape, she was wearing bulky clothing, and her rapist beat her, leaving unmistakable evidence of violence. Sebold casts a cool eye on these facts: “The cosmetics of rape are central to proving any case.” Sebold critiques the sexism and misconceptions surrounding rape with neither rhetoric nor apology; she lets her experience speak for itself. Her family, her friends, her campus community are all shaken by the brutality she survived, yet Sebold finds herself feeling more affinity with police officers she meets, as it was “in [their] world where this hideous thing had happened to me. A world of violent crime.” Just when Sebold believes she might surface from this world, a close friend is raped and the haunting continues. The last section, “Aftermath,” has an unavoidable tacked-on-at-the-end feel, as Sebold crams over a decade’s worth of coping and healing into a short chapter.
Told with mettle and intelligence, Sebold’s story of fierce determination to wrest back her life from her rapist will inspire and challenge.Pub Date: Aug. 1, 1999
ISBN: 0-684-85782-0
Page Count: 240
Publisher: Scribner
Review Posted Online: Jan. 2, 2011
Kirkus Reviews Issue: June 1, 1999
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by Common with Adam Bradley ‧ RELEASE DATE: Sept. 13, 2011
An intriguing look at an iconoclast’s cultural accomplishments.
Beloved, controversial performer discusses fame and the deeper meanings of his life.
Common, subject of Fox News’ ire following his White House poetry recitation, has long been acclaimed as a thoughtful and deft hip-hop artist. In his memoir—co-authored by Bradley (Book of Rhymes: The Poetics of Hip Hop, 2009, etc.)—he suggests great consciousness of the cultural legacy he carries: “Chicago blackness gave me understanding, awareness, street sense, and a rhythm. I learned the way that soulful people move, act, and talk.” He portrays himself as an openhearted, curious kid, trying to understand the tumult of Chicago’s African-American South Side. Obsessed with girls from an early age, he would go to the city’s museums to meet them. At the same time, he was rhyming in private, and he gave up basketball in high school to concentrate on rap, which he saw as similarly competitive. Common writes frankly about his youthful involvement with gang culture, portrayed as an inevitable rite of passage that became increasingly violent: “Crack hit the South Side of Chicago like a balled up fist.” Varied influences—his mother, friends, artistic ambitions—steered him away from it and toward a more “conscious” existence. By 1989, his early demos as Common Sense were drawing industry attention, and he dropped out of college to pursue this calling, over his mother’s objections. Much of what follows is a funny, honest showbiz narrative, moving from hip-hop to film acting. Interestingly, each chapter begins with a “letter” to someone significant in his life: e.g., his mother and father (early chapters discuss their tumultuous relationship), Emmett Till, former girlfriend Erykah Badu and collaborator Kanye West. Additionally, his mother offers occasional italicized counterpoint. As a memoir, the book succeeds based on Common’s candor, intelligence and charm, despite occasional artificial passages and broad platitudes, and he writes powerfully about his connection with President Obama.
An intriguing look at an iconoclast’s cultural accomplishments.Pub Date: Sept. 13, 2011
ISBN: 978-1-4516-2587-5
Page Count: -
Publisher: Atria
Review Posted Online: Aug. 1, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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