DEAD HEAT

A New Jersey mobster sent to Florida to lie low just can't sit on his hands; his casually felonious big-money schemes make trouble for everybody, including himself. Don Carlo Magliocco, back in Jersey, thought he'd made himself clear to Vincent Strollo: take a break in Miami till the heat from the bank fraud and the Mafia graveyard wear off. But no sooner has restless Strollo shaken hands with Tony Ianello, Magliocco's Florida deputy, than he's laying the groundwork for another bank scam—using counterfeit securities as collateral for generous loans. He adds a construction deal, buying title to the Towers of Light apartments in order to siphon off money supposedly going to construction costs. And all this isn't enough. When Peter Siragusa, a cousin back home, finds 200 pounds of gold in his late father's basement and asks Strollo's help in fencing it, Strollo can't resist fleecing him. Moreover, when his long-suffering wife, Rosa, pesters him about their money, Strollo orders an off-the-books hit on her. Meantime, a pair of rogue narcotics cops, protected by an FBI supervisor with his own secrets to hide, stake their own claim on the millions in drug cash flooding Miami. A bevy of infinitely more boring police officers and FBI agents, aided by a small army of informers, are slowly piecing together Strollo's schemes—even as capos and soldiers of every stripe are jockeying for position in the post-Strollo mob. The highlight here is the ornately multilayered dialogue between characters who never speak their minds to each other. It's a shame Nehrbass (Dead Easy, 1992) doesn't handle his dazzlingly intricate web of plots and subplots with equal dexterity.

Pub Date: April 14, 1994

ISBN: 0-525-93664-5

Page Count: 352

Publisher: Dutton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1994

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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