Two postmodern novellas with Victorian themes that have all the leaden scholarly pretension of that era—and none of the leavening irony that made Byatt's bestselling Possession (1990) so successful a mix of erudition and wit. Taking two intellectually incompatible ideas—Darwinism and spiritualism—of the period, Byatt then sets them up in their quintessential Victorian settings, where they are observed, illustrated, and dissected like the insect specimens of the first novella and found to signify not very much, despite quotes from the greats and the Bible. In ``Morpho Eugenia,'' impoverished naturalist William Adamson, homeward bound from insect-hunting in South America, is employed by a wealthy clergyman-scholar who's trying to write a book that will reconcile his religious beliefs with his scientific interests. Adamson soon falls in love with the clergyman's daughter, the beautiful Eugenia, whom he marries only to find that her behavior is eerily similar to that of some of the insects he's been studying with the help of governess Matty. With the proceeds from his book on ants, Adamson then heads off with Matty to South America, cheered by their sea captain's thought for the day: ``That is the main thing—to be alive.'' The widow of this same captain is one of the protagonists of ``The Conjugal Angel,'' in which a group holds weekly sÇances where she is medium. They meet in the home of Captain Jesse and his wife Emily, Alfred Tennyson's sister and once the fiancÇe of the beloved Arthur Hallam, to whom the poet dedicated that great Victorian icon ``In Memoriam.'' All of which means a great deal of poetry quoted, a great number of spirits consulted, and much speculation about just what Alfred really felt for Arthur—as well as an abrupt ending in which an angel teaches all those present a rather earthly lesson. Too much learning can be a dangerous thing for a novelist who needs to separate the learned monograph from the illuminating tale. Dull and forced.
Pub Date: April 1, 1993
ISBN: 0-679-40512-7
Page Count: 320
Publisher: Random House
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 1993
Categories: HISTORICAL FICTION
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Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 23, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Categories: LITERARY FICTION | HISTORICAL FICTION
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PROFILES
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 6, 2014
Kirkus Reviews Issue: March 15, 2014
Categories: LITERARY FICTION | HISTORICAL FICTION
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