Watching Bryan generously transform the bittersweet into beauty is watching the meaning of art.
Renowned artist and children’s-book creator Bryan shares his journey through World War II.
Best known for his brightly colored paintings of flowers and joyful scenes, here Bryan shares a part of his life that was less bright. Bryan was in his third year of art school when he was recruited to join the U.S. Army in 1943. Training for service in an all-black battalion, being deployed to Europe to fight with the Allied Forces on D-Day, and spending months trying to get his men back home—these experiences did not stop Bryan from pursuing his development as an artist. He was always drawing and sketching, and his fellow soldiers and even some of his superiors encouraged him to do so. His years in the Army are effectively detailed in a multimedia format that has the intimate feel of a scrapbook being shared by the author. The main text is a retrospective narration surrounded by extensive primary documents: old photographs and documents, handwritten letters (whose contents are also set in a small blue type for easier reading), paintings, and sketches, both standing alone and overlaid on top of photographs. So many unique yet universal aspects of the human experience are touched upon in this lovingly shared memoir: the passion that kept an artist going through the most difficult times, the contradictions of war against Nazism with segregation at home and within the U.S. Army.
Watching Bryan generously transform the bittersweet into beauty is watching the meaning of art. (note, sources, index) (Memoir. 10-adult)Pub Date: Oct. 15, 2019
ISBN: 978-1-5344-0490-8
Page Count: 112
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Aug. 25, 2019
Kirkus Reviews Issue: Sept. 15, 2019
Deftly written and informative; a call for vigilance and equality.
An examination of the history of Chinese American experiences.
Blackburn opens with a note to readers about growing up feeling invisible as a multicultural, biracial Chinese American. She notes the tremendous diversity of Chinese American history and writes that this book is a starting point for learning more. The evenly paced narrative starts with the earliest recorded arrival of the Chinese in America in 1834. A teenage girl, whose real name is unknown, arrived in New York Harbor with the Carnes brothers, merchants who imported Chinese goods and put her on display “like an animal in a circus.” The author then examines shifting laws, U.S. and global political and economic climates, and changing societal attitudes. The book introduces the highlighted people—including Yee Ah Tye, Wong Kim Ark, Mabel Ping-Hua Lee, and Vincent Chen—in relation to lawsuits or other transformative events; they also stand as examples for explaining concepts such as racial hierarchy and the model minority myth. Maps, photos, and documents are interspersed throughout. Chapters close with questions that encourage readers to think critically about systems of oppression, actively engage with the material, and draw connections to their own lives. Although the book covers a wide span of history, from the Gold Rush to the rise in anti-Asian hate during the Covid-19 pandemic, it thoroughly explains the various events. Blackburn doesn’t shy away from describing terrible setbacks, but she balances them with examples of solidarity and progress.
Deftly written and informative; a call for vigilance and equality. (resources, bibliography, image credits) (Nonfiction. 10-14)Pub Date: March 26, 2024
ISBN: 9780593567630
Page Count: 288
Publisher: Crown
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
Humble, endearing and utterly easy to relate to; don’t miss this one.
The charismatic creator of the Eisner-nominated Amelia Rules! series recounts his beginnings as a cartoonist.
From the very first panel, Gownley’s graphic memoir is refreshingly different. He’s not the archetypal nerd, and he doesn’t retreat to draw due to feelings of loneliness or isolation. Gownley seems to be a smart kid and a talented athlete, and he has a loyal group of friends and a girlfriend. After he falls ill, first with chicken pox and then pneumonia, he falls behind in school and loses his head-of-the-class standing—a condition he is determined to reverse. A long-standing love of comics leads him to write his own, though his first attempt is shot down by his best friend, who suggests he should instead write a comic about their group. He does, and it’s an instant sensation. Gownley’s story is wonderful; his small-town life is so vividly evinced, it’s difficult to not get lost in it. While readers will certainly pick up on the nostalgia, it should be refreshing—if not completely alien—for younger readers to see teens interacting without texting, instead using phones with cords. Eagle-eyed readers will also be able to see the beginnings of his well-loved books about Amelia. He includes an author’s note that shouldn’t be overlooked—just be sure to keep the tissues handy.
Humble, endearing and utterly easy to relate to; don’t miss this one. (author’s note) (Graphic memoir. 10 & up)Pub Date: Feb. 25, 2014
ISBN: 978-0-545-45346-2
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: Nov. 12, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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