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NIAGARA MOTEL

A very readable if dismal roadside adventure that could have some appeal for Gen X readers or youngsters exploring a...

A Canadian preteen with a deeply unreliable mother hits the road with a fellow runaway amid the chaos of Rodney King–era America.

Award-winning young-adult novelist Little (Anatomy of a Girl Gang, 2014, etc.) spins a bleak tale of wayward youth in this throwback novel set in the grunge era. Eleven-year-old Tucker Malone is a scrappy kid whose mother, Gina, is a stripper/escort and a narcoleptic with a dangerous habit of dropping asleep at any moment. After they make their way to Niagara Falls, Gina has an episode and is struck by a car and severely injured. Tucker is exiled to Bright Light, a group home for troubled teens. His only friend there is Meredith, a pregnant teen escort. “We were a strange match as far as friends go, but magnets don’t need to understand how magnetism works; they just repel each other or stick together,” Tucker tells us. But it’s a dark time. Meredith quickly finds out she’s too far along for an abortion, and Tucker witnesses a fatal stabbing. While all this is going on—and for pretty much no reason at all—Tucker is convinced that his father is the character Sam Malone from the sitcom Cheers. So he and Meredith run away in a stolen car looking for his father. What follows is a cross-country drama during which Tucker and Meredith encounter the best and worst that America has to offer. After a disappointing excursion to Boston to visit the real-life counterpart of the Cheers pub, the unlikely duo make their way to Los Angeles by hitchhiking, traveling with a gun nut, a drag queen, and other motley characters. The book culminates with Tucker and Meredith entrenched in the 1992 Los Angeles riots. Suffice it to say that something terrible happens.

A very readable if dismal roadside adventure that could have some appeal for Gen X readers or youngsters exploring a pre-digital era.

Pub Date: Nov. 15, 2016

ISBN: 978-1-55152-660-7

Page Count: 296

Publisher: Arsenal Pulp Press

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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