Competent. Bland. If only real life were so nice.

A PERFECT DIVORCE

Corman returns to the subject of his bestselling Kramer vs. Kramer (1977) in a feel-good story about the long-term results of divorce.

Rob and Karen Burrows divorced four years ago, when their son Tommy was 13. No ugly causes like adultery were involved, just the pressures of two careers colliding. Rob, who manufactures playground equipment, has remarried well: Vickie is a warmhearted, divorced mother of two. Karen, who runs a crafts-store/gallery in Manhattan’s Soho, is involved in a comfortable, undemanding relationship with Bill, a widower. As Tommy approaches high school graduation, he’s a well-adjusted, likable kid whose wit comes out in the cartoons he writes for the school paper. High-achievers that they are, Rob and Karen grudgingly accept that Tommy’s grades and SAT scores limit his college choices. He ends up at a decent small college in Pittsfield, Massachusetts, but after an unpleasant first semester experience, he breaks the news to his parents that academia is not for him. As Tommy establishes an independent blue-collar life for himself in Pittsfield, Rob realizes that he’s in danger of sinking his second marriage if he doesn’t spend more time with Vickie and her kids. Stung by Bill’s lack of interest in Tommy’s problems, Karen breaks up with him (but not to worry: another, even nicer, widower is waiting in the wings). Meanwhile, Tommy falls into a dream job with a major American artist who recognizes the boy’s artistic gifts and engineers his enrollment at Rhode Island School of Design. As Rob and Karen share their ongoing concern for their son, their friends can’t understand why they divorced. Readers may not, either. The two seldom argue, display no discomforting sexual yearnings, exhibit mild nostalgia. The tart realism of the early scenes, where the two do struggle with private disappointments and ambivalence, quickly dissipates into a sweet pudding of happy endings.

Competent. Bland. If only real life were so nice.

Pub Date: Sept. 1, 2004

ISBN: 0-312-32983-0

Page Count: 288

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2004

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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