After a few fun/creepy first chapters, the manipulated plot seems forced, obvious and lacking in suspense.


As the title declares, Corman’s eighth novel (A Perfect Divorce, 2004, etc.) centers on a young New Yorker’s rocky relationship with her new boyfriend, who is either a jerk or Evil Incarnate.

At 24, Ronnie is already a successful freelance journalist, but her social life is in the doldrums. While researching an article on a satanic church in the city, she interviews Richard Smith, a historian who studies satanic worship. When she asks his opinion of Satanism, he offers only a vague view that since good exists, so might evil, but Richard is strikingly handsome and Ronnie is soon swept away by his debonair charms and sexual magnetism. After her article on the satanic church comes out, Ronnie receives a dead black cat and assumes the church’s cultish leader, Randall Cummings, sent it as a threat. Meanwhile, Richard, who travels frequently for his work, sees Ronnie whenever he is in town, but her friends sense there is something off about him. Then Richard’s editor offers Ronnie a book deal to write about satanic possession. While working on the book, Ronnie begins to have the disquieting experience of enhanced powers, winning a race and drawing an elaborate sketch while blacked out. After receiving a picture of a decapitated head, Ronnie goes to confront Randall Cummings. Again, she blacks out. Randall turns up dead, and she’s a suspect. She begins to see Satan’s face, first in dreams but then on the street. After interviewing a mental patient whose satanic lover looked a lot like Richard, she comes to believe she may be possessed. A lapsed Catholic, she turns to her childhood priest in the Bronx, who holds an exorcism. Ronnie is saved/cured, but the last we see of Richard, he is talking on his cell phone and smiling enigmatically.

After a few fun/creepy first chapters, the manipulated plot seems forced, obvious and lacking in suspense.

Pub Date: May 2, 2006

ISBN: 0-312-34979-3

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2006

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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