To be sure, there’s gallantry in Mary Lincoln’s struggle against her demons. But 600-plus pages with a disagreeable woman...
A skilled historical novelist (Dead Water, 2004, etc.) limns an absolutely convincing portrait of Mary Todd Lincoln—and that’s the catch.
She’s so depressing. In Hambly’s evocation, her temper is execrable, her tongue venomous, her close relationships all problematical. With her husband, the legendary president, the descriptive word is strained; with her son Robert, it’s savage. She’s a grudge-holder and her enemies are forever, her friendships, for the most part, transitory. This is a woman who clings to paranoia as if it were her birthright. Hambly begins her story in 1875, ten years after that horrific night at the Ford Theater when John Wilkes Booth fired a bullet into the president’s head, drenching Mrs. Lincoln in his blood. Wintry, better say glacial, Robert, having decided magisterially that his mother is insane, has convened what amounts to a kangaroo court and brought her before it. Predictably, she’s judged to be as mentally incompetent as her son says she is and consigned to an asylum. Mrs. Lincoln does not go quietly, and while she rails against this latest betrayal, Hambly takes us back and forth in time to examine other betrayals. Even as an antebellum belle, she is tormented and tormenting. She meets Lincoln, is powerfully attracted, an attraction at first mutual. But he’s wary, senses danger, attempts to elude her. She traps him with a lie. As first lady, she’s a political cross for her husband to bear, which he does, patiently, even in the face of a hysterical demand that he fire—of all people—Ulysses S. Grant because she can’t abide his wife. Is she crazy? Everybody who knows her knows she is, says someone closer to her than most: “Crazy though not insane.”
To be sure, there’s gallantry in Mary Lincoln’s struggle against her demons. But 600-plus pages with a disagreeable woman tends to undercut empathy.Pub Date: Feb. 1, 2005
ISBN: 0-553-80301-8
Page Count: 624
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2004
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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