Harriet Powers: an artist worth knowing.
The story of a little-known historical figure whose life was sewn together with quilts.
Harriet Powers, born a slave near Athens, Georgia, grew up surrounded by textile arts: carding, dyeing, and weaving cloth and sewing and stuffing batting into quilts. The women and girls in her family taught her these arts at an early age, and she promised one day to “sew a magic world.” After she married and had children, the Civil War came and went, leaving her large family with no livelihood. Harriet picked up her needle and began to turn nothing into something…something that she loved but sold to feed her family. Though Harriet sewed only two story quilts in her lifetime, their uniqueness and intricacy have made them museum-worthy; the Smithsonian Institution in Washington, D.C., and the Museum of Fine Arts in Boston now house these works of art. Each of the 11 panels in the “Bible” quilt and the 15 in the “Pictorial” quilt contain a story from the Bible or from history. Punctuating Herkert’s narrative of Powers’ life are informative historical tidbits imposed onto small, frayed swatches of fabric. Brantley-Newton’s airy, colorful mixed-media illustrations include a wonderful array of fabrics with different designs and textures, and the skin tones of the black characters depict a realistically diverse range. Unsourced dialogue makes the book problematic as nonfiction, but as a picture-book introduction to an unsung artist, it inspires.
Harriet Powers: an artist worth knowing. (author’s notes, bibliography, quilt explanations) (Picture book. 5-8)Pub Date: Oct. 13, 2015
ISBN: 978-0-385-75462-0
Page Count: 40
Publisher: Knopf
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
Heartening.
One determined man brings two villages together with a hammer, chisel, and an iron will.
Deep in the heart of India, a mighty mountain separates two villages. Manjhi lives on one side, where nothing grows. On the other, rice and wheat flourish. The people there are affluent, while Manjhi’s village struggles with hunger. Manjhi climbs to the top of the mountain to ponder this problem. When he throws a stone, it triggers a sprinkle of powder, which gives him an idea. Manjhi trades his trio of goats for a hammer and chisel. Hurrying back to the top of the mountain, he positions the chisel and strikes it with the hammer. Powdered rock and tiny chips spray. He continues until he’s exhausted, but he’s also filled with hope. Even though people tell him he’s “crazy,” day after day Manjhi returns to the mountain. After a year, Majhi is a little stronger, and the hole he has made a little deeper. He perseveres and, when he returns to his task each day, notices that others have continued his work. It takes 22 years, but Manjhi lives to see the day that two villages become one, sharing water, hopes, and dreams. Churnin’s prose has an elegance appropriate for her inspiring tale, which is based on a true story. Popovich’s double-page illustrations use a warm palette and are nicely composed.
Heartening. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-939547-34-7
Page Count: 32
Publisher: Creston
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A beautifully designed book that will resonate with children and the adults who wisely share it with them.
An inspirational ode to the life of the great South African leader by an award-winning author and illustrator.
Mandela’s has been a monumental life, a fact made clear on the front cover, which features an imposing, full-page portrait. The title is on the rear cover. His family gave him the Xhosa name Rolihlahla, but his schoolteacher called him Nelson. Later, he was sent to study with village elders who told him stories about his beautiful and fertile land, which was conquered by European settlers with more powerful weapons. Then came apartheid, and his protests, rallies and legal work for the cause of racial equality led to nearly 30 years of imprisonment followed at last by freedom for Mandela and for all South Africans. “The ancestors, / The people, / The world, / Celebrated.” Nelson’s writing is spare, poetic, and grounded in empathy and admiration. His oil paintings on birch plywood are muscular and powerful. Dramatic moments are captured in shifting perspectives; a whites-only beach is seen through a wide-angle lens, while faces behind bars and faces beaming in final victory are masterfully portrayed in close-up.
A beautifully designed book that will resonate with children and the adults who wisely share it with them. (author’s note, bibliography) (Picture book/biography. 5-8)Pub Date: Jan. 2, 2013
ISBN: 978-0-06-178374-6
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 18, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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