Once again, Caldecott Honoree Lehman (The Red Book, 2004) presents surprising visuals that playfully and mysteriously connect children across space and time. In the top floor of what seems an orphanage, amid rows of empty beds, a bespectacled boy hides a saltwater-taffy box under a floorboard. The box, readers know, holds photos, a postcard, tokens, ticket stubs and a map fragment, with a route sketched in red-penciled arrows. Double-page spreads of watercolor and gouache depict decades of transformation, as a rural landscape becomes a burgeoning city crowding out the sky. Two groups of children, separated by generations, discover the box of treasures, successively locating the cistern where the map quest begins and the stream—now buried in a brick-lined culvert—leading to the lovely, colorful Seahorse Pier. The author beckons readers, with the first trio, into a turreted room at the pier, where a crowd of kids—including the bespectacled lad who began the tale—enjoys a living space with hammocks, toys, food—all that the sere orphanage ward lacked. Ending with a modern boy and girl contemplating the culvert’s entrance, she invites readers (her wordless pictures clearly beg to be read, pored over) to feel the tenuous bonds of child life loosen. Wonderful! (Picture book. 4-8)
Pub Date: March 1, 2011
ISBN: 978-0-547-23868-5
Page Count: 48
Publisher: Houghton Mifflin
Review Posted Online: Jan. 24, 2011
Kirkus Reviews Issue: Feb. 1, 2011
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn.
A young owl achieves his grand ambition.
Owl, an adorably earnest and gallant little owlet, dreams of being a knight. He imagines himself defeating dragons and winning favor far and wide through his brave exploits. When a record number of knights go missing, Owl applies to Knight School and is surprisingly accepted. He is much smaller than the other knights-in-training, struggles to wield weapons, and has “a habit of nodding off during the day.” Nevertheless, he graduates and is assigned to the Knight Night Watch. While patrolling the castle walls one night, a hungry dragon shows up and Owl must use his wits to avoid meeting a terrible end. The result is both humorous and heartwarming, offering an affirmation of courage and clear thinking no matter one’s size…and demonstrating the power of a midnight snack. The story never directly addresses the question of the missing knights, but it is hinted that they became the dragon’s fodder, leaving readers to question Owl’s decision to befriend the beast. Humor is supplied by the characters’ facial expressions and accented by the fact that Owl is the only animal in his order of big, burly human knights. Denise’s accomplished digital illustrations—many of which are full bleeds—often use a warm sepia palette that evokes a feeling of antiquity, and some spreads feature a pleasing play of chiaroscuro that creates suspense and drama.
A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn. (Picture book. 4-8)Pub Date: March 15, 2022
ISBN: 978-0-316-31062-8
Page Count: 48
Publisher: Christy Ottaviano Books
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
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