An intriguing and clever work that will appeal to fans of Regency-era fiction.
An English aristocrat must contend with ominous letters being sent her way in Monajem’s historical mystery series starter, set in the early 1800s.
Lady Rosamund Phipps is simply trying to get a cup of milk in the middle of the night when she finds one of her footmen dead on the stairs. She takes this news to the magistrate, Sir Edwin; while in his office, she meets Gilroy McBrae of Scotland, whose direct manner of questioning about the servant’s demise challenges her sense of propriety and thoroughly rankles her. Although Rosamund believes the death to be accidental, this doesn’t prevent rumors of criminality from circulating about her—as well as discussion about the agreement she has with her husband, Albert, who’s canoodling with her best friend; the loose talk is brought to life in broadsheet caricatures by a mysterious artist named Corvus. Soon afterward, she begins receiving threatening, anonymous letters that say such things as “I KNOW EVERYTHING ABOUT YOU,” which Rosamund believes were sent to make her go insane. She sets off to investigate the missives herself—and the identity of Corvus. Monajem deftly pens prose that feels distinctly of the Regency era in which the tale is set; Rosamund, in particular, seems very much like an upper-class woman of the period, with her rigid notions of status and gentility. Yet she also has engaging traits that set her apart and keep her from being a stock character, such as the aforementioned arrangement with her spouse and an apparent compulsiveness that requires her to check and recheck things multiple times. Similarly, the characterization of Gilroy is further proof that a companion that’s equal parts dashing and frustrating is often a winning one. The story takes its time getting started, but overall, Monajem succeeds in providing readers with a witty, enjoyable historical mystery.
An intriguing and clever work that will appeal to fans of Regency-era fiction.Pub Date: April 21, 2020
ISBN: 978-1-94-791527-5
Page Count: 244
Publisher: Dames of Detection
Review Posted Online: May 11, 2021
Kirkus Reviews Issue: July 1, 2021
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
When anyone attempts to enhance and reformat a book that’s already sold more than five million copies, there’s some risk...
The iPad adaption of Boynton’s bestselling board book surveys animals and the sounds they make.
When anyone attempts to enhance and reformat a book that’s already sold more than five million copies, there’s some risk involved. What if it doesn’t translate well? Worse yet, what if it flops? Fortunately, Loud Crow Interactive and Boynton don’t have to worry about that. There’s no hint of a sophomore slump in this second installment of the Boynton Moo Media series. Much like its predecessor, The Going to Bed Book (2011), this app adapts the illustrator’s trademark creatures for iPad in a way few other developers can. The animals are fluid and pliable, which is no small feat given that they’re on a flat display. Readers can jiggle them, hurl them off screen, elicit animal sounds and in some cases make them sing (in a perfect inverted triad!). Melodic violin music accompanies the entire story, which is deftly narrated by Boynton’s son, Keith. In addition to the author’s simple yet charming prose there are little surprises sprinkled throughout that extend the wit that’s won countless babies and parents over in paper form.Pub Date: April 19, 2011
ISBN: N/A
Page Count: -
Publisher: Loud Crow Interactive
Review Posted Online: May 17, 2011
Kirkus Reviews Issue: June 15, 2011
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