Next book

LADY ROSAMUND AND THE POISON PEN

A ROSIE AND MCBRAE REGENCY MYSTERY

An intriguing and clever work that will appeal to fans of Regency-era fiction.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

An English aristocrat must contend with ominous letters being sent her way in Monajem’s historical mystery series starter, set in the early 1800s.

Lady Rosamund Phipps is simply trying to get a cup of milk in the middle of the night when she finds one of her footmen dead on the stairs. She takes this news to the magistrate, Sir Edwin; while in his office, she meets Gilroy McBrae of Scotland, whose direct manner of questioning about the servant’s demise challenges her sense of propriety and thoroughly rankles her. Although Rosamund believes the death to be accidental, this doesn’t prevent rumors of criminality from circulating about her—as well as discussion about the agreement she has with her husband, Albert, who’s canoodling with her best friend; the loose talk is brought to life in broadsheet caricatures by a mysterious artist named Corvus. Soon afterward, she begins receiving threatening, anonymous letters that say such things as “I KNOW EVERYTHING ABOUT YOU,” which Rosamund believes were sent to make her go insane. She sets off to investigate the missives herself—and the identity of Corvus. Monajem deftly pens prose that feels distinctly of the Regency era in which the tale is set; Rosamund, in particular, seems very much like an upper-class woman of the period, with her rigid notions of status and gentility. Yet she also has engaging traits that set her apart and keep her from being a stock character, such as the aforementioned arrangement with her spouse and an apparent compulsiveness that requires her to check and recheck things multiple times. Similarly, the characterization of Gilroy is further proof that a companion that’s equal parts dashing and frustrating is often a winning one. The story takes its time getting started, but overall, Monajem succeeds in providing readers with a witty, enjoyable historical mystery.

An intriguing and clever work that will appeal to fans of Regency-era fiction.

Pub Date: April 21, 2020

ISBN: 978-1-94-791527-5

Page Count: 244

Publisher: Dames of Detection

Review Posted Online: May 11, 2021

Kirkus Reviews Issue: July 1, 2021

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 59


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Awards & Accolades

Likes

  • Readers Vote
  • 59


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

Next book

THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

Close Quickview