A whimsical, funny, and poignant historical novel.
Riddle debuts with a pleasantly offbeat coming-of-age novel that looks back at the changing roles of women in the 1960s.
In 1963, 19-year-old Bronwen Olwen has just completed her junior year in a prestigious Portland, Oregon, college and is heading to Boston for a prime summer internship in a biochemistry lab—and, not incidentally, a couple of months of living with her boyfriend, Eric Breuner. He’s four years older, ensconced in Harvard, and working toward a junior fellowship in the biology department, where he’s a superstar. Indeed, Bronwen is daunted by what she accepts as his intellectual superiority. But this summer, she’s decided to become an expert in the literary works of early 20th-century Bohemian-Austrian poet Rainer Maria Rilke as her nonscientific area of proficiency, because “All the scientists in Eric’s crowd had a little niche, a subarea of nontechnical knowledge on which they could hold forth.” Her boss, Felix, is a strange whirlwind of frenetic energy, always “rocking back and forth on the balls of his feet.” Bronwen helps him with some problem experiments, enabling him to complete his long-overdue doctoral thesis. Her grueling hours at the lab prove more gratifying than her time spent with the obnoxiously arrogant Eric and his cohort of pseudo-intellectual male scientists. However, it takes a series of crises to force her to reexamine her life. Although Riddle’s narrative is often humorous and frequently quirky, it also offers a stark reminder of the scientific community’s treatment of women joining its ranks in the ’60s. For example, Felix can’t fathom why Bronwen would choose to study science given her other options: “Girls don’t just whimsically decide to give up a social life and nice clothes to hang around in smelly hellholes with slavedrivers like me ordering them around.” Throughout, Riddle mixes solid, straightforward storytelling with long, stream-of-consciousness sections in which the omniscient narrator jumps into Bronwen’s chaotic mental meanderings. The run-on sentences in the latter can be confusing at times, but they effectively reflect the protagonist’s inner struggle as familiar young adult angst meets bubbling social change.
A whimsical, funny, and poignant historical novel.Pub Date: Oct. 13, 2013
ISBN: 978-0-615-90432-0
Page Count: 212
Publisher: Pilgrim's Lane Press
Review Posted Online: May 28, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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