An entertaining suspense thriller, set during the last days of 1999 and featuring the discovery of ancient, explosive religious revelations in a series of scrolls. Wood has dealt previously with the spiritual odysseys of feisty females (The Dreaming, 1991, etc.), as well as with archaeological adventures. But this is also a tale of a pair on the run, and their adventures carry the story beyond its preachments, however worthy. Catherine Alexander, an enterprising archaeologist with feminist scores to settle—principally with the Catholic Church—finds in her Sinai dig six ancient papyrus scrolls containing not only the name of Jesus but also pointing to the possibility of women priests in the early church. To protect her finds from a greedy establishment, Catherine decides to smuggle them out of the country and enlists the help of her old friend Daniel, another archaeologist. To her dismay and puzzlement, it is a handsome young priest, Fr. Michael Garibaldi, who in turn comes to the pair's aid as a number of enemies close in. Among the pursuers eager for the scrolls: mega-mouth Miles Havers, the ultimate collector, and his lethal hirelings; the Catholic Church; the Egyptian government; and then, following Daniel's death, the state police of California. There will be two murders, pursuits and escapes, and deadly games via cyberspace as Havers's brilliant computer expert gleefully surfs to find Catherine and the priest. Between alarms (and a bit of forbidden passion) and mutual confessions, Catherine translates the six scrolls—the account of a first-century woman who had travelled the known world searching for ``the Righteous One.'' Visits to a quiet cloister (and its secrets) in Vermont and a Vatican necropolis lead to the discovery of a revelatory Seventh Scroll. The religious message here—mainstream unitarian with a mere whiff of New Age—is benign and appealing, but the pace is set by that ``pair of daring adventurers running through cyberspace . . . defying death, going for the prize.'' Fox and hounds with uplift.
Pub Date: June 1, 1996
ISBN: 0-316-81652-3
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1996
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
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