A young Denver woman leaves her charming, ineffectual father for life in the Big Apple, but finds it's not so easy to shake her past: a first novel—also charming but rather ineffectual—from journalist and screenwriter Wright. Life in the Winbourne household has been scattered and often sad since the death of Sarah Winbourne when her daughter, Jay, was only five. In the wake of his wife's death, grief-stricken Jack abandons his promising career as a playwright to devote himself to playing the stock market while Jay struggles to take over her mother's domestic duties. Buy by Jay's 18th year she's grown all too weary of Jack's frequent bouts of depression, his financial losses, and his belief that, in dreaming of an Ivy League education, Jay is setting impossible standards for herself. When Jack's pessimism proves accurate in both their cases—Jay is turned down by her dream universities, while her father confesses that he's lost her tuition savings on the stock market anyway—there's nothing for Jay to do but flee to NYC and attempt a new life of her own. As she takes a job as reader to a blind Korean novelist and throws herself into a dangerous first romance, she gradually begins to realize that she's inherited her father's depressive nature. In the end, though, it's the need to stand together against their shared weakness that reunites father and daughter, inspiring them to overcome it and leading to the unexpected (and rather hasty) resolution of all other major and minor dilemmas. Intriguing as this is in its evocation of the depressive's experience, it turns away too often to dwell on Jay's typical coming-of-age travails and never digs quite deep enough to engage. A light gloss, then, over a serious subject.
Pub Date: May 1, 1995
ISBN: 0-945575-63-7
Page Count: 390
Publisher: Algonquin
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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