British rock critic Hoskyns (Waiting for the Sun, 1996, etc.) dashes off a breezy ``pop romance'' that begins as a portrait of the critic as young hack and turns into a much darker comment on decadent rock culture. In this easy-reading, somewhat predictable little debut novel, a middle-class nebbish from the provinces goes to London, eventually becomes a rock critic, but ends up as an obsessed fan. The object of Kip Wilson's obsession is Mina, an Austrian chanteuse who combines the vocal and visual styles of Dietrich, Piaf, and Marianne Faithful, all of which she ``deconstructs'' with the help of her back-up band. A dropout from the polytechnic, Kip flops in a London squat, trying to overcome his boring middle-class background. He also begins to write short reviews for a London rock mag. His career takes a turn for the better when he happens upon Mina's first British appearance; her confrontational cabaret act dazzles the young critic. He parlays his initial rave into a series of interviews, reviews of her recordings, and a long article about her tour of the US—each piece reflecting his increasing infatuation with the tough-talking German girl, who reveals a previous life as an abused child and prostitute. Dazzled by her depravity, Kip discovers the depths of her problems on the American tour, where she shoots up constantly and eventually seduces him with coke and emasculating sex. Back in England, Kip's last article proves too wacky for even an alternative magazine, and he spends days in bed brooding over Mina, until news of her drug detox and spiritual conversion sends him over the edge. The novel shifts gears as Kip acts out his confusion over Mina's born-again persona. A transparent narrative that defines all its characters by their musical tastes (with appropriate dress) and perfectly reproduces the clichÇs of rock journalism, sometimes as parody, sometimes quite seriously. Still, a quick and enjoyable read.
Pub Date: May 1, 1997
ISBN: 1-85242-387-0
Page Count: 166
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PROFILES
PERSPECTIVES
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