edited by Barry Day ‧ RELEASE DATE: Nov. 14, 2014
Chandler wrote not about crime or detection, as George V. Higgins observed, but about the corruption of the human spirit....
Day (The Letters of Noel Coward, 2007, etc.) lets peerless mystery writer Raymond Chandler reveal himself through his own words—and in those of his fictional creation Philip Marlowe—while contributing structure, comment and a useful amount of connective tissue.
For someone so associated with the American patois, it is ironic that Chandler generally thought of himself as a classically educated “Englishman” imbued with British tastes. Day demonstrates how the Chicago-born author, a resident of England for much of his youth, had to “learn American just like a foreign language,” both customs and vernacular. Chandler was taken with the pungency of American English, admiring how it “roughed up” and enlivened the language, as Shakespeare had done. Day then shows how character, language and style superseded plot in Chandler's fiction, unlike such shallow avatars of construction as Agatha Christie. Though a man of comparatively modest literary output, Chandler mused extensively on writing in letters to colleagues and friends. Day connects Chandler's signature ideas and impulses most effectively in this correspondence. While he disclaims biographical intent, such elements abound in the book. Chandler was repatriated to Los Angeles in 1912, and the city would become as much a character in his novels as Marlowe, his alter ego. Foremost, Chandler was a sultan of similes. Delightful as they often are, however, Day drowns us in a deluge of them. Like Chandler, Day also betrays a faint whiff of condescension toward American culture—not without some justification—but he is wholly sympathetic in charting Chandler's long, happy marriage to a woman 18 years his senior, his devastation over her death and his accelerated alcoholism.
Chandler wrote not about crime or detection, as George V. Higgins observed, but about the corruption of the human spirit. Day deepens our understanding of how Chandler, who cared for his legacy, balanced commitment to principle with living and prospering in the real world.Pub Date: Nov. 14, 2014
ISBN: 978-0-385-35236-9
Page Count: 288
Publisher: Knopf
Review Posted Online: Sept. 20, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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by Noël Coward edited by Barry Day
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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