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MORALITY PLAY

Bookerwinning Unsworth (Sacred Hunger, 1992) again brings his formidable talent to bear on English history, here in a brooding 14thcentury tale of itinerant players who are inexorably drawn into the dark maze of secrets behind a murderto their own peril. When in May hawthorn flowers bloomed under 23-year-old Nicholas Barber's window, he abandoned his work as a priest out of wanderlust. Six months later, hungry, cold, and fearing pursuit as an adulterer, he chances upon a ragtag troupe of actors just as one of them dies of afflictionand persuades them to let him join as a replacement. They enter an unknown town in search of hallowed ground for their dead comrade, there hearing details of a local boy's murder and the hasty conviction of a deaf-mute woman. Sensing a travesty of justice as well as a potential goldmine, their leaderthe savvy, intense Martinconvinces the others to reenact the deed. When their first performance ends by pointing a finger at the local Lord's confessor, a Benedictine monk, Martin is unsatisfied, so they gather more evidence that turns the next show into an indictment of the Lord himselfalthough the play is interrupted, once when the monk's corpse is taken past and again when the cast is taken under guard to the castle for a private show. There, the play's meaning shifts once more, with Martin's performance directly challenging the Lord in a way that seals the troupe's doom. But a timely appeal to Nicholas to resume his priestly duties alters the course of events, enabling him to escape and seek out the King's Justice, and leaving the players to strut and fret another day. With mood and setting crisplyand chillinglyevoked, favorable comparisons to The Name of the Rose are in order, though many characters here are slender rather than fully figured, so that what could have been a truly great novel is instead only very good. (Author tour)

Pub Date: Nov. 1, 1995

ISBN: 0-385-47953-0

Page Count: 192

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1995

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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