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LEAVE MYSELF BEHIND

Earnest and predictable: a good start but nothing special.

Debut about a gay teenager coming of age in a small New England town.

For Noah York, at 17, adolescence hasn’t exactly turned out to be one long kegger: After his father’s death the year before, Noah’s eccentric mother Virginia has become increasingly unstable and difficult to live with. A well-regarded poet, she accepts a post at Cassidy College and moves with Noah from Chicago to Oakland, New Hampshire, where she buys a ramshackle Victorian house and tries to start a new life. Going from the big city to the sticks is hard for Noah, who’s gay, but he settles into a new routine pretty quickly, helping Virginia renovate the house and making friends with the local kids—among them J.D. Curtis, a classmate who lives nearby and becomes Noah’s best friend. Athletic and clean-cut, J.D. is a bit too All-American for the smartmouthed Noah, but they quickly become inseparable—and eventually fall in love. This development causes more trouble at first for J.D. (who had girlfriends and never thought of himself as gay) than for Noah, but it soon gets both of them in hot water when J.D.’s sister discovers them having sex and word spreads through the town. There are the usual fistfights and insults, and, after J.D.’s mother throws him out of the house, he comes to live with Noah and Virginia, who is more understanding but also in the middle of a crisis of her own. In redoing the house, Virginia began to discover Mason jars hidden in the walls with poems and notes from the Carlisles, an unhappy couple who lived there years ago. Becoming increasingly obsessed with this past, she has a mental breakdown after finding the skeleton of a baby girl buried in the basement. As Virginia slowly recovers her sanity, Noah and J.D. begin to build new lives for themselves together.

Earnest and predictable: a good start but nothing special.

Pub Date: March 4, 2003

ISBN: 0-7582-0348-9

Page Count: 256

Publisher: Kensington

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2003

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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