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THE GRUMPFACE

A skillful fairy tale about a hero and the flower seller he loves, though it’s hampered by an outdated literary device.

A clumsy young inventor must complete a task for a grumpy monster to win a girl’s heart in this illustrated, rhyming debut book.

In the Forest of Ho, near the Village of Hay, there’s a creature called the Grumpface, known for capturing innocent travelers and only freeing them if they can fulfill one of his three tasks. Once a cranky old man, the Grumpface was cursed by a wizard to spread his grouchiness because he could never smile. In the Village of Hay, Dafty Dan, an inventor whose contraptions never quite work, loves a flower seller named Bella. Too afraid to talk to her, he hatches a plan to find her a rose—the one flower she can’t track down for her store. This takes him to the Forest of Ho, where he is caught by the Grumpface, who is determined to show Dan that life is miserable. With Dan’s unrequited love in his heart, he insists he will accomplish one of the tasks. But his inventions ultimately fail to help him, including his “launcher.” The bird he was supposed to snare swallows his lamp. His sticky shoes adhere to a log bridge, but his loud singing causes a mishap. His light rod actually works—until he drops it and loses the object of his quest in a dark cave. Luckily for Dan, his antics make the Grumpface laugh, breaking the curse and setting the old man—and all the villagers he’s trapped—free. The old man even shows Dan where to find a rose, allowing him to gain the affections of his crush. All of Dan’s interactions with the Grumpface are delightful, and Fegan’s competent and clever rhymes scan well (“Each day he would see her standing for hours, / Across from his shop, selling her flowers”). But the tale is marred by the tired trope of a hero too afraid to talk to the girl he likes, treating her as an object to be won rather than someone who could be a friend. Frongia’s (Possessions of the Human Kind, 2017, etc.) cheerful illustrations of the green monster and the Caucasian characters are comical, especially Dan’s and the Grumpface’s expressive faces, and well-suited to the misadventure.

A skillful fairy tale about a hero and the flower seller he loves, though it’s hampered by an outdated literary device.

Pub Date: May 1, 2017

ISBN: 978-0-9953592-0-8

Page Count: 34

Publisher: TaleBlade

Review Posted Online: April 12, 2017

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COAT OF MANY COLORS

In her first children's book, Parton (the country music star) turns one of her songs into a saccharine tale about a girl who is so poor that her mama has to sew her a patchwork coat when the weather turns cold. (Joseph and his coat of many colors are mentioned but never explained.) Despite the girl's love for her coat, she is teased in school, which she counters by trying to explain to her classmates ``that one is only poor/if they choose to be.'' The logic here is as flawed as the grammar, and Sutton's illustrations, while competent, show a well-dressed, happy rural family who look anything but poor. The text is both clumsy and irrelevent (it ends with ``Through life I've remained happy/and good luck is on my side./I have everything that anyone/could ever want from life.'') An apparently autobiographical song that has a hard time standing on its own as a compelling children's story. (Picture book. All ages)

Pub Date: Sept. 30, 1994

ISBN: 0-06-023413-X

Page Count: 32

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 1994

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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