by Beatrix Potter ; illustrated by Quentin Blake ‧ RELEASE DATE: Sept. 6, 2016
A winsome story despite its flaws, this will leave readers hoping that Potter left more unpublished gems in the vault where...
Miss Catherine St. Quintin is a mischievous kitty leading a secret double life in this recently discovered Potter tale.
Though her elderly owner thinks that she is a “serious, well behaved young black cat,” Catherine—who harbors a secret passion for air-rifle hunting while dressed in a gentleman’s Norfolk jacket and matching boots—is anything but. The rebellious (if well-bred) pet prefers palling around with common cats to presiding over tea parties with other respectable felines. After convincing a fellow cat to impersonate her, she sets out on a poaching expedition that goes awry and teaches her the value of home. While the fairly lengthy story itself, with its minx of a heroine and cameos from other well-established characters, contains the same magic that made generations of readers fall in love with Potter’s delightful animal creations, Blake’s scribbly illustrations are totally incongruous with her genteel fictional world. His style works beautifully with Roald Dahl’s madcap tales, but Potter’s refined characters merit a softer and more realistic illustrative touch. Readers who grew up enchanted by the gorgeous drawings in the Tale of Peter the Rabbit may wish that Blake had passed on this particular opportunity. Also jarring is the book’s large trim; at around 8 inches by 10 inches, it is almost twice as big as Potter’s books published in her lifetime, famously designed for “little hands.” A CD of Helen Mirren reading the text is packaged with the book.
A winsome story despite its flaws, this will leave readers hoping that Potter left more unpublished gems in the vault where it was discovered. (Picture book. 4-8)Pub Date: Sept. 6, 2016
ISBN: 978-0-241-24944-4
Page Count: 72
Publisher: Warne
Review Posted Online: Sept. 8, 2016
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by Joseph Bruchac & James Bruchac & illustrated by Jose Aruego & Ariane Dewey ‧ RELEASE DATE: March 1, 2001
Noted storyteller Bruchac (Squanto’s Journey: The Story of the First Thanksgiving, p. 1498, etc.) teams up with his son, James (Native American Games and Stories, not reviewed) to present a pourquoi tale from the East Coast Native American tradition. Bear is undeniably big; he is also a braggart, given to walking through the forest and proclaiming his superiority to all within earshot: “I can do anything! Yes, I can!” When he hears this, little Brown Squirrel challenges Bear to tell the sun not to rise the next day. This Bear does, and when the sun does in fact rise despite his injunction not to, Brown Squirrel unwisely gloats: “Bear is foolish, the sun came up. Bear is silly, the sun came up.” Thanks to trickery, Brown Squirrel escapes with his life, but not before Bear claws the stripes into his back that cause him to change his name to Chipmunk. The Bruchacs translate the orality of the tale to written text beautifully, including dialogue that invites audience participation. Aruego and Dewey’s (Mouse in Love, p. 886, etc.) signature cartoon-like illustrations extend the humor of the text perfectly. One spread shows the faces of all the animals rejoicing in the yellow light of the newly risen sun—all except Bear, whose glower contrasts ominously with Brown Squirrel’s glee. Clever use of perspective emphasizes the difference in size between boastful Bear and his pint-sized trickster opponent. Authors’ notes precede the story, explaining the history of the tale and each teller’s relationship to it. A winner. (Picture book/folktale. 4-8)
Pub Date: March 1, 2001
ISBN: 0-8037-2404-7
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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by Asia Citro ; illustrated by Richard Watson ‧ RELEASE DATE: Sept. 24, 2019
Good fun for early counters.
A one-to-10 counting book featuring a cast of active pigeons.
“One bright and sunny morning, ten pigeons” sit on a wire when along come some bees and throw them all into a tizzy. A handful of the pigeons take off—readers can count their tails in the margins of the pages—so “OK. Let’s try that again. Um, ten minus six is… …four.” Readers can see right on the wire there that if six pigeons fly off, that leaves four—math at its most accessible. Well, there are four until one finds a sandwich that lures four of the dispersed birds to return. That adds up to eight. And there they are, that now gray and cloudy morning, when it starts to rain and six pigeons fly away to seek shelter. Again, readers can count the birds to arrive at the new number, or they can work the equation that is provided: “Let's see…eight minus six is…”? On the counting game goes via interruptions into the twilight, when the narrator gives up—these pigeons won’t stay still long enough to introduce them—until it comes time to go to bed and end the story. Citro’s exasperated text works hand in glove with Watson’s comical birds to make this counting game a joy rather than a task. The narrative text expresses equations in words, and corresponding number sentences are tucked into the scenes.
Good fun for early counters. (Picture book. 4-8)Pub Date: Sept. 24, 2019
ISBN: 978-1-943147-62-5
Page Count: 40
Publisher: The Innovation Press
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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