A certain age, acutely observed.

A CERTAIN AGE

A tale of Manhattan society in the Jazz Age, spiced liberally with secrets and scandal.

Williams’ latest opens with a dispatch from “Patty Cake,” a jaded society reporter from a New York paper, covering a “Trial of the Century” in Connecticut. We don't yet know who's on trial, but two of the women in the courtroom that day take up the narration of events that led to this pass. Theresa, a 44-year-old Fifth Avenue socialite, and her lover, Octavian, 22, are surprised in the carriage house of her Long Island estate by her brother, Edmund Jay "Ox" Ochsner, who reveals his intention to marry 19-year-old Sophie Fortescue, youngest daughter of the so-called Patent King, an entrepreneur and inventor who made his fortune as his nickname suggests. The Fortescue millions will assure financial security for this pedigreed but cash-poor bachelor gadabout. There follows a retelling of Der Rosenkavalier for the Roaring '20s. Octavian, a World War I flying ace whose war wounds are mainly mental, is enlisted by Theresa to act as cavalier for Ox, delivering a rose-shaped engagement ring to Sophie at her father’s unassuming home on 32nd Street. The two young people are smitten, but Sophie agrees to the engagement to please her father, who wants a traditional family life for her, although her real desire is to exercise her own mechanical aptitude. Meanwhile, Theresa learns that her marriage of convenience is coming to an end—her husband wants to marry his mistress. Now the way is clear to wed Octavian, except that the cavalier’s affections have shifted. Sophie is repelled by Ox’s dissolute, gin-swilling ways, his peppermint hair oil, and his boorish attentions. Testimony at trial recalls a Greenwich, Connecticut, house once occupied by a mechanic, who disappeared with his two daughters after his wife was found murdered. Chapters oscillate in time, ending on cliffhangers that can be jarring, but this novel is mainly propelled by its period-perfect prose style.

A certain age, acutely observed.

Pub Date: June 28, 2016

ISBN: 978-0-06-240495-4

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: May 22, 2016

Kirkus Reviews Issue: May 15, 2016

Did you like this book?

No Comments Yet

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

Reader Votes

  • Readers Vote
  • 48

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

Did you like this book?

Miller makes Homer pertinent to women facing 21st-century monsters.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2018

  • New York Times Bestseller

CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

Did you like this book?

more