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ORION IN THE DYING TIME

Third in the series following Orion and Vengeance of Orion (neither seen), Bova's ongoing cosmic battle between good and evil. Immortal android Orion was made by the good-guy Creators (pure-energy beings who take the form of Olympian gods and goddesses in their dealings with humanity) to battle the various evil super-beings intent on wiping out both the Creators and humanity. This time out, Orion, with dazzling companion Anya (the goddess Artemis—she's fallen in love with Orion), finds himself back in the neolithic era, where the Sahara is covered with lush grass and nearby stands the idyllic forest of Paradise. Here the creel reptilian-alien Set (he doesn't resemble the Egyptian god at all) has taken up residence while he works on his vast plan, involving time travel, dinosaurs, a planetary core tap, and what, all, to destroy the Creators. After various battles, captures, reversals, escapes, tortures, betrayals, and other high jinks, Orion will come into godlike power of his own, transport Genghiz Khan's armies to the neolithic to fight Set's saurian minions, explode Set's home planet, and earn the grudging respect of at least some of the disdainful Creators. Brainless and often absurd, and, with lots of gore and monsters and gee-whiz folderol, clearly aimed at the more juvenile section of the audience. A disappointment after recent, more thoughtful outings like Cyberbooks and Voyagers III.

Pub Date: Oct. 1, 1990

ISBN: 0749305827

Page Count: 356

Publisher: Tor

Review Posted Online: March 20, 2012

Kirkus Reviews Issue: Sept. 15, 1990

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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