Historically accurate and huge fun. Vintage Cornwell.
Continuing the series that began with The Archer’s Tale (2001), adventure master Cornwell throws his lusty young hero Thomas of Hookton up against both the French and the Inquisition.
Opening with a fine small battle on the Scottish border, Cornwell continues his historically based, wildly entertaining trek through the Hundred Years War, a tale that hangs on the adventures of a superb English bowman at a time when English longbows pretty much ruled the battlefield. Thomas, last seen at the battle of Crecy, has trudged up north with orders from Edward Plantagenet to see a monk in Durham about a legend. The legend is The Grail, and Thomas is involved because his priestly father Ralph de Vexille, a French fugitive, left him a multilingual diary full of references to the sacred vessel. The Vexilles believed they had possession of the cup, and the diary may lead to its recovery. Oxford dropout Thomas can read his father’s Latin and a bit of the Greek, but the Hebrew’s got him stumped. Marching with the lad are his pregnant sweetheart and a kindly monk, both doomed to die at the hands of the divinely sinister Dominican inquisitor Bernard de Taillebourg, who, with his dark and moody servant Guy de Trexille (Thomas’s psychotic cousin), lusts after the diary. Before Thomas can get his answers he’s roped into an English skirmish with raiding Scots. Encouraged by their French allies, the savage northerners have massed in huge numbers, but their drums and battle-axes are no match for the handful of archers Tom joins. Thomas makes an enemy of a nasty bankrupt knight and poor Eleanor falls victim to the sadistic de Taillebourg, but Thomas survives to continue his quest for the grail accompanied by cheerful prisoner Robbie Douglas. Their travels, always just a few steps ahead of the damned Dominican and the jealous Sir Geoffrey, take them to Brittany, scene of earlier romance, where the English have a tenuous toehold and where de Taillebourg has equally perfidious allies. There will be torture, siege, and treachery.
Historically accurate and huge fun. Vintage Cornwell.Pub Date: Dec. 1, 2002
ISBN: 0-06-621080-1
Page Count: 384
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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